8 Tips to Apply Cinematic Color Grading to Your Video

Create High-Quality Video - Wondershare Filmora

An easy and powerful YouTube video editor

Numerous video and audio effects to choose from

Detailed tutorials are provided by the official channel

Try It Free Try It Free

After a successful video shoot, video editing tends to wrap up the video production process. However, a video cannot be enlivened by using simple video editing tools, i.e., cut, crop, and trim, but rather tools such as cinematic color grading. Usually, directors want their video to evoke their intended ambiance and appear more realistic – This can only be achieved through cinematic color grading.

Color grading is the alteration and enhancement of color in a video, motion picture, or still image. Color grading is an essential tool for videographers since it enables them to enhance the mood or tone. Stick to this article and learn about the eight tips to apply cinematic color grading to your video.

In this article

01 Don’t Make These Mistakes!

02 8 Tips to Apply Cinematic Color Grading to Your Video

Don’t Make These Mistakes

Even though to err is human, there are some mistakes that colorists and video editors need to avoid at all costs. It is not only because they will make them look amateurish but also undermines the message and impact of the video.

Some people assume color grading is as simple as adding filters to their Instagram photos which they are absolutely wrong. Color grading is a long and frustrating process, and it only requires “persons with a thick skin.”

Some mistakes are not only committed by amateurs alone but also professional colorists who are in a rush to complete their projects on due time. Usually, these mistakes degrade the quality output. Some of the mistakes that one needs not make include:

1. Using a Poorly Calibrated Monitor

Almost every videographer and colorist’s goal is to design footages that distinctively display their primary colors and decipher the intended message. And this can only be achieved using a properly calibrated monitor.

Before working on a project, you ought to crosscheck your monitor calibration. Most people assume that the calibration is accurate since they possess a new, out-of-the-box monitor. It is utterly wrong since retailer shops usually adjust the monitor settings to overblown saturation and contrast to attract customers.

Furthermore, if you opt to edit your videos without adjusting your monitor calibration, you will have a poor footage.

2. Poor Prepping of the Video Footage

One major mistake that videographers often make is not prepping their video correctly. A poorly prepped footage is one that has a bad color space conversion. Usually, the outcome result of poorly prepped footage is an imbalanced image.

Prepping footage is not as easy as an apple pie. Besides, most videographers tend to follow a shortcut by starting messing with the gains and individual nodes, forgetting that a shortcut is often a wrong cut.

The best way of prepping a video is to start by making separate nodes and labeling them differently.

3. Imbalancing the Shadow

Have you ever seen video footage with partially opaque shadows? And when you look keenly, you see tinted greens and reds. Usually, this is a result of an imbalanced shadow.

This mistake is not only carried out by beginner videographers but also professionals who are always in a hurry to complete a project. When you look at your scope, you see the shadows are lifted or down in other scenarios – This is also a result of shadow imbalance.

4. Overusing LUTs

A mistake that beginner editors often make is overusing LUTs. Footages with overly used LUTs often appear to be dull. A thing that videographers need to observe when using LUTs is consistency.

When using LUTs, you need to ensure that your project has similar saturation, colors, and contrast throughout your video project. Moreover, it would be best to choose your LUTs based on the film color palette and your story.

5. Having Limited break

Having enough break enables one’s eyes to recalibrate. As a colorist, your eyes are often considered the main asset. Sitting for long periods in your workstation and staring for long hours at your monitor may cause one to add more saturation and contrast, thus making the video dull. Therefore the best remedy is to take a break from your monitor.

Besides, coming from a break enables one to have another different perspective about the color grading of the project.

8 Tips to Apply Cinematic Color Grading to Your Video

When it comes to creating cinematic looks in video footage, the camera type is usually non-essential. What matters is that you capture quality videos with the right angles then leave the rest to color grading.

For a video clip to look more cinematic, a couple of elements are put together. Here, we will look at those elements and create stunning videos.

1. Use Lumetri Color to adjust brightness, contrast, and saturation

The Lumeri color is an essential color grading functionality in most premiere software, including Wondershare Filmora, Adobe After Effects, and Davinci Resolve 17. With this functionality tool, you can carry out a wide range of customizable settings such as hue, saturation, contrasts, brightness, and tone.

The lumetri panel contains a histogram, vectorscope, parade scope, and waveform monitor. In your lumetri panel, you can measure the brightness and tonal values using a histogram, the light intensity with a waveform monitor, saturation and hue using vectorscope, and color channel using parade scope.

Adjusting the brightness, contrast, hue, saturation, and tone to moderate levels will give your video clip that cinematic look.

2. Use Cosmo functionality to adjust skin tones

Due to the light effect, shots taken during the day will have inconsistent color matches, especially skin tone. In the post-production process, one needs to make uniformity in skin tone and the clip. To rectify this, you need to involve a professional color grading functionality, Cosmo.

With cosmo, you can adjust the skin color, squeeze the skin, and soften the skin. Generally, Cosmo makes people in video clips look their best.

3. Use Highlights and Shadows adjustment

A clip will look more cinematic when the shadows and highlights are brought out as separate entities. The shadows become more vivid when adjusted to either teal, purple or blue. You can go a mile and adjust the highlights to become crystal clear by making the footage become yellow, red, or orange.

When carrying out color grading, you need to know the various video demands, such as the horror clips demand more of the dark shadow.

4. Use Vectorscope to get the accurate adjustment

Naked eyes cannot effectively see all the errors in a video project, which is the essence of having a vectorscope. A vectorscope provides all the quantitative information about a video image – This lessens work for video editors.

Vectorscope provides extensive details, such as how intense a given color is – This will help you make necessary adjustments to your footage.

5. Use the black and white functionality to change the opacity

Even though you can change your footage to black and white using the hue and saturation functionality, the black and white tool gives you more control.

This functionality feature can make your footage blend with the soft light part. Besides, it is best to first lower the contrast of your image or video to black and white to be able to highlight the unclear parts.

6. Use levels to unveil the whites, blacks, and mids of an image

Levels is a functionality feature that displays the blacks, whites, and mids of footage. With this functionality, you can make the highlight parts lighter and the shadows appear darker, which is essential in making cinematic videos.

In the levels histogram, the left slider defines the darkest part, the right defines the brightest part, and the top defines distributions.

In software such as Adobe After Effects, you can set this functionality to automatic or customize it based on your preference.

7. Use Vibrance to control other levels of saturation

The saturation of video footage or a clip can be regulated using vibrance functionality. With vibrance, you can alter the saturation levels of your clip while simultaneously minimizing clippings for the colors to approach complete saturation.

When you want to use this functionality in After Effects, you drag and drop it right on top of your footage – The exact part you want to apply it.

8. Use a Vignette to fade edges

To increase the point of focus, you need to fade your edges. In color grading, you can only fade your edges with a vignette.

This functionality allows you to center images or certain video parts and make the edges unclear. Your emphasis will be more on the central region.

Bottom line

● Color grading is not a piece of cake. Besides, you should not use it as an excuse for making simple mistakes such as the ones highlighted above. You need to pay close attention when color grading your films, and you will have your video project mapping out its intended meaning.

● Moreover, you need not be a pro to carry out cinematic color grading. You need to follow the above eight tips altogether to apply color grading to your video. You will create stunning video files that leave your viewers’ eyes gorged out.

Try It Free Try It Free

After a successful video shoot, video editing tends to wrap up the video production process. However, a video cannot be enlivened by using simple video editing tools, i.e., cut, crop, and trim, but rather tools such as cinematic color grading. Usually, directors want their video to evoke their intended ambiance and appear more realistic – This can only be achieved through cinematic color grading.

Color grading is the alteration and enhancement of color in a video, motion picture, or still image. Color grading is an essential tool for videographers since it enables them to enhance the mood or tone. Stick to this article and learn about the eight tips to apply cinematic color grading to your video.

In this article

01 Don’t Make These Mistakes!

02 8 Tips to Apply Cinematic Color Grading to Your Video

Don’t Make These Mistakes

Even though to err is human, there are some mistakes that colorists and video editors need to avoid at all costs. It is not only because they will make them look amateurish but also undermines the message and impact of the video.

Some people assume color grading is as simple as adding filters to their Instagram photos which they are absolutely wrong. Color grading is a long and frustrating process, and it only requires “persons with a thick skin.”

Some mistakes are not only committed by amateurs alone but also professional colorists who are in a rush to complete their projects on due time. Usually, these mistakes degrade the quality output. Some of the mistakes that one needs not make include:

1. Using a Poorly Calibrated Monitor

Almost every videographer and colorist’s goal is to design footages that distinctively display their primary colors and decipher the intended message. And this can only be achieved using a properly calibrated monitor.

Before working on a project, you ought to crosscheck your monitor calibration. Most people assume that the calibration is accurate since they possess a new, out-of-the-box monitor. It is utterly wrong since retailer shops usually adjust the monitor settings to overblown saturation and contrast to attract customers.

Furthermore, if you opt to edit your videos without adjusting your monitor calibration, you will have a poor footage.

2. Poor Prepping of the Video Footage

One major mistake that videographers often make is not prepping their video correctly. A poorly prepped footage is one that has a bad color space conversion. Usually, the outcome result of poorly prepped footage is an imbalanced image.

Prepping footage is not as easy as an apple pie. Besides, most videographers tend to follow a shortcut by starting messing with the gains and individual nodes, forgetting that a shortcut is often a wrong cut.

The best way of prepping a video is to start by making separate nodes and labeling them differently.

3. Imbalancing the Shadow

Have you ever seen video footage with partially opaque shadows? And when you look keenly, you see tinted greens and reds. Usually, this is a result of an imbalanced shadow.

This mistake is not only carried out by beginner videographers but also professionals who are always in a hurry to complete a project. When you look at your scope, you see the shadows are lifted or down in other scenarios – This is also a result of shadow imbalance.

4. Overusing LUTs

A mistake that beginner editors often make is overusing LUTs. Footages with overly used LUTs often appear to be dull. A thing that videographers need to observe when using LUTs is consistency.

When using LUTs, you need to ensure that your project has similar saturation, colors, and contrast throughout your video project. Moreover, it would be best to choose your LUTs based on the film color palette and your story.

5. Having Limited break

Having enough break enables one’s eyes to recalibrate. As a colorist, your eyes are often considered the main asset. Sitting for long periods in your workstation and staring for long hours at your monitor may cause one to add more saturation and contrast, thus making the video dull. Therefore the best remedy is to take a break from your monitor.

Besides, coming from a break enables one to have another different perspective about the color grading of the project.

8 Tips to Apply Cinematic Color Grading to Your Video

When it comes to creating cinematic looks in video footage, the camera type is usually non-essential. What matters is that you capture quality videos with the right angles then leave the rest to color grading.

For a video clip to look more cinematic, a couple of elements are put together. Here, we will look at those elements and create stunning videos.

1. Use Lumetri Color to adjust brightness, contrast, and saturation

The Lumeri color is an essential color grading functionality in most premiere software, including Wondershare Filmora, Adobe After Effects, and Davinci Resolve 17. With this functionality tool, you can carry out a wide range of customizable settings such as hue, saturation, contrasts, brightness, and tone.

The lumetri panel contains a histogram, vectorscope, parade scope, and waveform monitor. In your lumetri panel, you can measure the brightness and tonal values using a histogram, the light intensity with a waveform monitor, saturation and hue using vectorscope, and color channel using parade scope.

Adjusting the brightness, contrast, hue, saturation, and tone to moderate levels will give your video clip that cinematic look.

2. Use Cosmo functionality to adjust skin tones

Due to the light effect, shots taken during the day will have inconsistent color matches, especially skin tone. In the post-production process, one needs to make uniformity in skin tone and the clip. To rectify this, you need to involve a professional color grading functionality, Cosmo.

With cosmo, you can adjust the skin color, squeeze the skin, and soften the skin. Generally, Cosmo makes people in video clips look their best.

3. Use Highlights and Shadows adjustment

A clip will look more cinematic when the shadows and highlights are brought out as separate entities. The shadows become more vivid when adjusted to either teal, purple or blue. You can go a mile and adjust the highlights to become crystal clear by making the footage become yellow, red, or orange.

When carrying out color grading, you need to know the various video demands, such as the horror clips demand more of the dark shadow.

4. Use Vectorscope to get the accurate adjustment

Naked eyes cannot effectively see all the errors in a video project, which is the essence of having a vectorscope. A vectorscope provides all the quantitative information about a video image – This lessens work for video editors.

Vectorscope provides extensive details, such as how intense a given color is – This will help you make necessary adjustments to your footage.

5. Use the black and white functionality to change the opacity

Even though you can change your footage to black and white using the hue and saturation functionality, the black and white tool gives you more control.

This functionality feature can make your footage blend with the soft light part. Besides, it is best to first lower the contrast of your image or video to black and white to be able to highlight the unclear parts.

6. Use levels to unveil the whites, blacks, and mids of an image

Levels is a functionality feature that displays the blacks, whites, and mids of footage. With this functionality, you can make the highlight parts lighter and the shadows appear darker, which is essential in making cinematic videos.

In the levels histogram, the left slider defines the darkest part, the right defines the brightest part, and the top defines distributions.

In software such as Adobe After Effects, you can set this functionality to automatic or customize it based on your preference.

7. Use Vibrance to control other levels of saturation

The saturation of video footage or a clip can be regulated using vibrance functionality. With vibrance, you can alter the saturation levels of your clip while simultaneously minimizing clippings for the colors to approach complete saturation.

When you want to use this functionality in After Effects, you drag and drop it right on top of your footage – The exact part you want to apply it.

8. Use a Vignette to fade edges

To increase the point of focus, you need to fade your edges. In color grading, you can only fade your edges with a vignette.

This functionality allows you to center images or certain video parts and make the edges unclear. Your emphasis will be more on the central region.

Bottom line

● Color grading is not a piece of cake. Besides, you should not use it as an excuse for making simple mistakes such as the ones highlighted above. You need to pay close attention when color grading your films, and you will have your video project mapping out its intended meaning.

● Moreover, you need not be a pro to carry out cinematic color grading. You need to follow the above eight tips altogether to apply color grading to your video. You will create stunning video files that leave your viewers’ eyes gorged out.

Try It Free Try It Free

After a successful video shoot, video editing tends to wrap up the video production process. However, a video cannot be enlivened by using simple video editing tools, i.e., cut, crop, and trim, but rather tools such as cinematic color grading. Usually, directors want their video to evoke their intended ambiance and appear more realistic – This can only be achieved through cinematic color grading.

Color grading is the alteration and enhancement of color in a video, motion picture, or still image. Color grading is an essential tool for videographers since it enables them to enhance the mood or tone. Stick to this article and learn about the eight tips to apply cinematic color grading to your video.

In this article

01 Don’t Make These Mistakes!

02 8 Tips to Apply Cinematic Color Grading to Your Video

Don’t Make These Mistakes

Even though to err is human, there are some mistakes that colorists and video editors need to avoid at all costs. It is not only because they will make them look amateurish but also undermines the message and impact of the video.

Some people assume color grading is as simple as adding filters to their Instagram photos which they are absolutely wrong. Color grading is a long and frustrating process, and it only requires “persons with a thick skin.”

Some mistakes are not only committed by amateurs alone but also professional colorists who are in a rush to complete their projects on due time. Usually, these mistakes degrade the quality output. Some of the mistakes that one needs not make include:

1. Using a Poorly Calibrated Monitor

Almost every videographer and colorist’s goal is to design footages that distinctively display their primary colors and decipher the intended message. And this can only be achieved using a properly calibrated monitor.

Before working on a project, you ought to crosscheck your monitor calibration. Most people assume that the calibration is accurate since they possess a new, out-of-the-box monitor. It is utterly wrong since retailer shops usually adjust the monitor settings to overblown saturation and contrast to attract customers.

Furthermore, if you opt to edit your videos without adjusting your monitor calibration, you will have a poor footage.

2. Poor Prepping of the Video Footage

One major mistake that videographers often make is not prepping their video correctly. A poorly prepped footage is one that has a bad color space conversion. Usually, the outcome result of poorly prepped footage is an imbalanced image.

Prepping footage is not as easy as an apple pie. Besides, most videographers tend to follow a shortcut by starting messing with the gains and individual nodes, forgetting that a shortcut is often a wrong cut.

The best way of prepping a video is to start by making separate nodes and labeling them differently.

3. Imbalancing the Shadow

Have you ever seen video footage with partially opaque shadows? And when you look keenly, you see tinted greens and reds. Usually, this is a result of an imbalanced shadow.

This mistake is not only carried out by beginner videographers but also professionals who are always in a hurry to complete a project. When you look at your scope, you see the shadows are lifted or down in other scenarios – This is also a result of shadow imbalance.

4. Overusing LUTs

A mistake that beginner editors often make is overusing LUTs. Footages with overly used LUTs often appear to be dull. A thing that videographers need to observe when using LUTs is consistency.

When using LUTs, you need to ensure that your project has similar saturation, colors, and contrast throughout your video project. Moreover, it would be best to choose your LUTs based on the film color palette and your story.

5. Having Limited break

Having enough break enables one’s eyes to recalibrate. As a colorist, your eyes are often considered the main asset. Sitting for long periods in your workstation and staring for long hours at your monitor may cause one to add more saturation and contrast, thus making the video dull. Therefore the best remedy is to take a break from your monitor.

Besides, coming from a break enables one to have another different perspective about the color grading of the project.

8 Tips to Apply Cinematic Color Grading to Your Video

When it comes to creating cinematic looks in video footage, the camera type is usually non-essential. What matters is that you capture quality videos with the right angles then leave the rest to color grading.

For a video clip to look more cinematic, a couple of elements are put together. Here, we will look at those elements and create stunning videos.

1. Use Lumetri Color to adjust brightness, contrast, and saturation

The Lumeri color is an essential color grading functionality in most premiere software, including Wondershare Filmora, Adobe After Effects, and Davinci Resolve 17. With this functionality tool, you can carry out a wide range of customizable settings such as hue, saturation, contrasts, brightness, and tone.

The lumetri panel contains a histogram, vectorscope, parade scope, and waveform monitor. In your lumetri panel, you can measure the brightness and tonal values using a histogram, the light intensity with a waveform monitor, saturation and hue using vectorscope, and color channel using parade scope.

Adjusting the brightness, contrast, hue, saturation, and tone to moderate levels will give your video clip that cinematic look.

2. Use Cosmo functionality to adjust skin tones

Due to the light effect, shots taken during the day will have inconsistent color matches, especially skin tone. In the post-production process, one needs to make uniformity in skin tone and the clip. To rectify this, you need to involve a professional color grading functionality, Cosmo.

With cosmo, you can adjust the skin color, squeeze the skin, and soften the skin. Generally, Cosmo makes people in video clips look their best.

3. Use Highlights and Shadows adjustment

A clip will look more cinematic when the shadows and highlights are brought out as separate entities. The shadows become more vivid when adjusted to either teal, purple or blue. You can go a mile and adjust the highlights to become crystal clear by making the footage become yellow, red, or orange.

When carrying out color grading, you need to know the various video demands, such as the horror clips demand more of the dark shadow.

4. Use Vectorscope to get the accurate adjustment

Naked eyes cannot effectively see all the errors in a video project, which is the essence of having a vectorscope. A vectorscope provides all the quantitative information about a video image – This lessens work for video editors.

Vectorscope provides extensive details, such as how intense a given color is – This will help you make necessary adjustments to your footage.

5. Use the black and white functionality to change the opacity

Even though you can change your footage to black and white using the hue and saturation functionality, the black and white tool gives you more control.

This functionality feature can make your footage blend with the soft light part. Besides, it is best to first lower the contrast of your image or video to black and white to be able to highlight the unclear parts.

6. Use levels to unveil the whites, blacks, and mids of an image

Levels is a functionality feature that displays the blacks, whites, and mids of footage. With this functionality, you can make the highlight parts lighter and the shadows appear darker, which is essential in making cinematic videos.

In the levels histogram, the left slider defines the darkest part, the right defines the brightest part, and the top defines distributions.

In software such as Adobe After Effects, you can set this functionality to automatic or customize it based on your preference.

7. Use Vibrance to control other levels of saturation

The saturation of video footage or a clip can be regulated using vibrance functionality. With vibrance, you can alter the saturation levels of your clip while simultaneously minimizing clippings for the colors to approach complete saturation.

When you want to use this functionality in After Effects, you drag and drop it right on top of your footage – The exact part you want to apply it.

8. Use a Vignette to fade edges

To increase the point of focus, you need to fade your edges. In color grading, you can only fade your edges with a vignette.

This functionality allows you to center images or certain video parts and make the edges unclear. Your emphasis will be more on the central region.

Bottom line

● Color grading is not a piece of cake. Besides, you should not use it as an excuse for making simple mistakes such as the ones highlighted above. You need to pay close attention when color grading your films, and you will have your video project mapping out its intended meaning.

● Moreover, you need not be a pro to carry out cinematic color grading. You need to follow the above eight tips altogether to apply color grading to your video. You will create stunning video files that leave your viewers’ eyes gorged out.

Try It Free Try It Free

After a successful video shoot, video editing tends to wrap up the video production process. However, a video cannot be enlivened by using simple video editing tools, i.e., cut, crop, and trim, but rather tools such as cinematic color grading. Usually, directors want their video to evoke their intended ambiance and appear more realistic – This can only be achieved through cinematic color grading.

Color grading is the alteration and enhancement of color in a video, motion picture, or still image. Color grading is an essential tool for videographers since it enables them to enhance the mood or tone. Stick to this article and learn about the eight tips to apply cinematic color grading to your video.

In this article

01 Don’t Make These Mistakes!

02 8 Tips to Apply Cinematic Color Grading to Your Video

Don’t Make These Mistakes

Even though to err is human, there are some mistakes that colorists and video editors need to avoid at all costs. It is not only because they will make them look amateurish but also undermines the message and impact of the video.

Some people assume color grading is as simple as adding filters to their Instagram photos which they are absolutely wrong. Color grading is a long and frustrating process, and it only requires “persons with a thick skin.”

Some mistakes are not only committed by amateurs alone but also professional colorists who are in a rush to complete their projects on due time. Usually, these mistakes degrade the quality output. Some of the mistakes that one needs not make include:

1. Using a Poorly Calibrated Monitor

Almost every videographer and colorist’s goal is to design footages that distinctively display their primary colors and decipher the intended message. And this can only be achieved using a properly calibrated monitor.

Before working on a project, you ought to crosscheck your monitor calibration. Most people assume that the calibration is accurate since they possess a new, out-of-the-box monitor. It is utterly wrong since retailer shops usually adjust the monitor settings to overblown saturation and contrast to attract customers.

Furthermore, if you opt to edit your videos without adjusting your monitor calibration, you will have a poor footage.

2. Poor Prepping of the Video Footage

One major mistake that videographers often make is not prepping their video correctly. A poorly prepped footage is one that has a bad color space conversion. Usually, the outcome result of poorly prepped footage is an imbalanced image.

Prepping footage is not as easy as an apple pie. Besides, most videographers tend to follow a shortcut by starting messing with the gains and individual nodes, forgetting that a shortcut is often a wrong cut.

The best way of prepping a video is to start by making separate nodes and labeling them differently.

3. Imbalancing the Shadow

Have you ever seen video footage with partially opaque shadows? And when you look keenly, you see tinted greens and reds. Usually, this is a result of an imbalanced shadow.

This mistake is not only carried out by beginner videographers but also professionals who are always in a hurry to complete a project. When you look at your scope, you see the shadows are lifted or down in other scenarios – This is also a result of shadow imbalance.

4. Overusing LUTs

A mistake that beginner editors often make is overusing LUTs. Footages with overly used LUTs often appear to be dull. A thing that videographers need to observe when using LUTs is consistency.

When using LUTs, you need to ensure that your project has similar saturation, colors, and contrast throughout your video project. Moreover, it would be best to choose your LUTs based on the film color palette and your story.

5. Having Limited break

Having enough break enables one’s eyes to recalibrate. As a colorist, your eyes are often considered the main asset. Sitting for long periods in your workstation and staring for long hours at your monitor may cause one to add more saturation and contrast, thus making the video dull. Therefore the best remedy is to take a break from your monitor.

Besides, coming from a break enables one to have another different perspective about the color grading of the project.

8 Tips to Apply Cinematic Color Grading to Your Video

When it comes to creating cinematic looks in video footage, the camera type is usually non-essential. What matters is that you capture quality videos with the right angles then leave the rest to color grading.

For a video clip to look more cinematic, a couple of elements are put together. Here, we will look at those elements and create stunning videos.

1. Use Lumetri Color to adjust brightness, contrast, and saturation

The Lumeri color is an essential color grading functionality in most premiere software, including Wondershare Filmora, Adobe After Effects, and Davinci Resolve 17. With this functionality tool, you can carry out a wide range of customizable settings such as hue, saturation, contrasts, brightness, and tone.

The lumetri panel contains a histogram, vectorscope, parade scope, and waveform monitor. In your lumetri panel, you can measure the brightness and tonal values using a histogram, the light intensity with a waveform monitor, saturation and hue using vectorscope, and color channel using parade scope.

Adjusting the brightness, contrast, hue, saturation, and tone to moderate levels will give your video clip that cinematic look.

2. Use Cosmo functionality to adjust skin tones

Due to the light effect, shots taken during the day will have inconsistent color matches, especially skin tone. In the post-production process, one needs to make uniformity in skin tone and the clip. To rectify this, you need to involve a professional color grading functionality, Cosmo.

With cosmo, you can adjust the skin color, squeeze the skin, and soften the skin. Generally, Cosmo makes people in video clips look their best.

3. Use Highlights and Shadows adjustment

A clip will look more cinematic when the shadows and highlights are brought out as separate entities. The shadows become more vivid when adjusted to either teal, purple or blue. You can go a mile and adjust the highlights to become crystal clear by making the footage become yellow, red, or orange.

When carrying out color grading, you need to know the various video demands, such as the horror clips demand more of the dark shadow.

4. Use Vectorscope to get the accurate adjustment

Naked eyes cannot effectively see all the errors in a video project, which is the essence of having a vectorscope. A vectorscope provides all the quantitative information about a video image – This lessens work for video editors.

Vectorscope provides extensive details, such as how intense a given color is – This will help you make necessary adjustments to your footage.

5. Use the black and white functionality to change the opacity

Even though you can change your footage to black and white using the hue and saturation functionality, the black and white tool gives you more control.

This functionality feature can make your footage blend with the soft light part. Besides, it is best to first lower the contrast of your image or video to black and white to be able to highlight the unclear parts.

6. Use levels to unveil the whites, blacks, and mids of an image

Levels is a functionality feature that displays the blacks, whites, and mids of footage. With this functionality, you can make the highlight parts lighter and the shadows appear darker, which is essential in making cinematic videos.

In the levels histogram, the left slider defines the darkest part, the right defines the brightest part, and the top defines distributions.

In software such as Adobe After Effects, you can set this functionality to automatic or customize it based on your preference.

7. Use Vibrance to control other levels of saturation

The saturation of video footage or a clip can be regulated using vibrance functionality. With vibrance, you can alter the saturation levels of your clip while simultaneously minimizing clippings for the colors to approach complete saturation.

When you want to use this functionality in After Effects, you drag and drop it right on top of your footage – The exact part you want to apply it.

8. Use a Vignette to fade edges

To increase the point of focus, you need to fade your edges. In color grading, you can only fade your edges with a vignette.

This functionality allows you to center images or certain video parts and make the edges unclear. Your emphasis will be more on the central region.

Bottom line

● Color grading is not a piece of cake. Besides, you should not use it as an excuse for making simple mistakes such as the ones highlighted above. You need to pay close attention when color grading your films, and you will have your video project mapping out its intended meaning.

● Moreover, you need not be a pro to carry out cinematic color grading. You need to follow the above eight tips altogether to apply color grading to your video. You will create stunning video files that leave your viewers’ eyes gorged out.

How to Loop Video in Canva

Looping a video is a great way to make your content stand out from the competition. The looped video will repeat the same section of the video, which gives it an eerie feeling like an old-timely music box. For example, if you are creating a series of videos about a product launch, you could use loops to create anticipation for when the product will be available.

You can use this feature on Canva to create an eye-catching looped video that you can use in your social media posts and ads. It is great if you need to use a video in your project, but don’t have time to do the editing. In this article, we’ll walk you through how to Loop a video on Canva.

Part 1: How to Loop Video in Canva

Canva is a great video editing tool that allows users to create stunning videos. It has a simple interface that makes it easy to use even for beginners. Looping a video is a great way to make your content more engaging. You can add a looping effect to any video, whether it’s yours or one you find online. Creating the looping video is super easy!

Canva is a great way to create custom designs for your business. It’s also a great way to make a video for your brand. The looping feature in Canva is a great way to create more engaging infographics. By using this feature, you can create a custom loop, which allows you to create an infographic that repeats itself in the same or different sizes.

Step 1: Create an account on Canva and select the video:

Log in to Canva and click on “Create a design”. Import your video into Canva. You can find the import button on the right side of the screen when you’re editing a new project or opening an existing project by clicking “Open.”, then click on the “Add Video” button. The new video will appear underneath your other assets.

Step 2: Choose the “Present” option by clicking on Share:

Click on the drop-down arrow next to the title bar and select “Present” from the list of available options. Then you can select the feature of Present that how your video will appear in front of you or your audience.

Step 3: Loop your video by choosing the feature “Start auto play”:

A new window will pop up and allow you to customize where in your project this loop will be placed: by default, it will start at 0 seconds and play until it reaches 500 seconds; however, you can change this if needed!

Why should we need the Loop video in Canva?

If you’re looking for a way to make your video stand out from the crowd, then you’ve come to the right place! Here are three ways that you can use looping videos in Canva software to create a more compelling piece of content.

• It adds more value to your content because viewers can watch it over and over again without having to do anything else.
• It helps attract new viewers because they’ll feel compelled to watch the whole thing or at least take action after watching part of it (like clicking on a button).
• It increases retention rates because people will remember something much better than just a static image or text string because there’s movement involved in each frame of the image.

Part 2: Alternative Way to Loop a Video

If you’re using a video editing software like Adobe Premiere or Final Cut Pro, it is likely that you have seen the generic technique of looping a video is by splitting it in two and pasting it together again. What if you need to put on repeat just one individual cut? This is where Filmora steps in! It is a handy tool for trimming and adding clips into your recordings.

The Filmora software can be used to quickly create continual sequences of any duration, irrespective of how long the footage is. It makes possible to synchronize sound and video clips, splice them into one another, and even add titles and motion graphics for a special effect. If you utilize Filmora, you do not need to be an expert in video editing to make professional-looking results. Let us explore why Filmora is necessary for video editing.

Filmora is a video editing software that allows you to make professional-looking videos from your footage. It has a loop feature that lets you create seamless loops where each clip in the sequence plays over and over until you stop it. This can be useful for creating music videos, for example, or for creating small clips that loop seamlessly through the whole video.

The loop feature in Filmora software is a great way to put your video editing skills to the test. It allows you to edit a clip of any length and then play it back over and over again, which can be useful when you’re looking for an ideal looping point or want to see how long a clip is before going back to find out why it didn’t work.

Let’s have a look that how can we loop the video on Filmora:

Step 1: Download Filmora for free and Create a project in it:

Free Download For Win 7 or later(64-bit)

Free Download For macOS 10.14 or later

Download the Filmora software from any browser. After installation opens the software and clicks on create a project. Just add a video in your timeline that you would like to loop. With the Loop tool, you can easily add titles and credits, as well as transitions and effects to your videos.

Step 2: Select the video and make copies of it:

Move the play head to the end of your clip and press right-click to copy the video then use CTRL + V to paste the clip and continue pasting as many copies as you want to create.

Step 3: Add Transition to the video to make it more seamless

Lastly, If you want to make your loop more seamless then go to the Transitions tab and type dissolve in the search bar. Drag the dissolve transition between the two clips on the timeline. This can be useful when you want viewers to watch the video repeatedly.

Part 3: FAQs About Video Loop

1. Can you loop animation in Canva?

Yes, we can make loop animation in Canva. Looping animation in Canva software is not difficult, but it does require a little bit of practice. To loop animation in Canva, follow these steps:

• Go to the Animation tab on the left side of the screen.
• Click on the New Animation button in the top right corner of your screen.
• Select the type of animation you want to create from the drop-down menu next to “Create New Animation From.” This will open up a window that allows you to select between several different options for how your animation will appear, choose one that appeals most to you!

2. How do I loop an mp4 video?

Looping the mp4 video is a fairly simple process. First, you need to import the video into your computer. The easiest way to do this is using the .mp4 files that come with your camera or phone. You can also use any other audio file or a preview of the video as an indicator of where you want to start and end your looping.

Once you have imported your video, you can begin looping it. To do this, click on the “play” button and wait until all the videos have been played. Then, click on one of the two buttons below. The bottom button will play one frame forward in time while the top button will play one frame backward in time.

3. How do I make Canva videos longer?

We’ve got a special function in Canva that lets you crop your video while making it longer. Here’s how:

• Go to the video editor by clicking the cog icon on the top right of your screen.
• Select “Crop Video” from the menu.
• Choose how much footage you want to cut out and press “OK.”
• You’re done! Your video is now cropped and longer than before!

Wondershare Filmora Easy Video Looper Software for PC and Mac Users.

Free Download Free Download Learn More

Conclusion

Looping video generates interest and emotion in the minds of viewers and it is a great tool. According to research, over 80% of internet users watch videos online to get information or because they want to gain knowledge. People’s attention span has diminished significantly, since the invention of gadgets and all these must-have devices. The video will seem like you are editing the video in real-time.

Free Download For macOS 10.14 or later

Download the Filmora software from any browser. After installation opens the software and clicks on create a project. Just add a video in your timeline that you would like to loop. With the Loop tool, you can easily add titles and credits, as well as transitions and effects to your videos.

Step 2: Select the video and make copies of it:

Move the play head to the end of your clip and press right-click to copy the video then use CTRL + V to paste the clip and continue pasting as many copies as you want to create.

Step 3: Add Transition to the video to make it more seamless

Lastly, If you want to make your loop more seamless then go to the Transitions tab and type dissolve in the search bar. Drag the dissolve transition between the two clips on the timeline. This can be useful when you want viewers to watch the video repeatedly.

Part 3: FAQs About Video Loop

1. Can you loop animation in Canva?

Yes, we can make loop animation in Canva. Looping animation in Canva software is not difficult, but it does require a little bit of practice. To loop animation in Canva, follow these steps:

• Go to the Animation tab on the left side of the screen.
• Click on the New Animation button in the top right corner of your screen.
• Select the type of animation you want to create from the drop-down menu next to “Create New Animation From.” This will open up a window that allows you to select between several different options for how your animation will appear, choose one that appeals most to you!

2. How do I loop an mp4 video?

Looping the mp4 video is a fairly simple process. First, you need to import the video into your computer. The easiest way to do this is using the .mp4 files that come with your camera or phone. You can also use any other audio file or a preview of the video as an indicator of where you want to start and end your looping.

Once you have imported your video, you can begin looping it. To do this, click on the “play” button and wait until all the videos have been played. Then, click on one of the two buttons below. The bottom button will play one frame forward in time while the top button will play one frame backward in time.

3. How do I make Canva videos longer?

We’ve got a special function in Canva that lets you crop your video while making it longer. Here’s how:

• Go to the video editor by clicking the cog icon on the top right of your screen.
• Select “Crop Video” from the menu.
• Choose how much footage you want to cut out and press “OK.”
• You’re done! Your video is now cropped and longer than before!

Wondershare Filmora Easy Video Looper Software for PC and Mac Users.

Free Download Free Download Learn More

Conclusion

Looping video generates interest and emotion in the minds of viewers and it is a great tool. According to research, over 80% of internet users watch videos online to get information or because they want to gain knowledge. People’s attention span has diminished significantly, since the invention of gadgets and all these must-have devices. The video will seem like you are editing the video in real-time.

Making Slow Motion Videos in Final Cut Pro: The Best Methods

The slow-motion effect has been used for years to add dramatic effects to movies. An important scene is always highlighted and looks better with a slow-motion effect. Applying slow motion is beneficial, too, as it can give you a better preview of the scene. The effect is easily accessible in many video editing applications.

How would you find an app that gives good final cut slow-motion results? This article has got you all covered on that. Here, you will find the Final Cut Pro slow-motion effect that works fantastic without ruining your video’s quality. So, follow the article to learn more about using FCP slow motion.

Slow Motion Video Maker Slow your video’s speed with better control of your keyframes to create unique cinematic effects!

Make A Slow Motion Video Make A Slow Motion Video More Features

Part 1: What Makes a Perfect Slow-Motion Video?

An ideal FCP slow-motion video requires careful attention to technical details and aesthetics. Below are some essential things to think about bringing perfection in slow-motion videos:

• Resolution: A slow-motion video with visual appeal and a high resolution is crucial. This is especially vital if you intend to crop or zoom in on the video while editing.
• Storytelling: Make sure the slow-motion clip supports the idea you’re attempting to portray. Your scenes will have more impact if you tell them with a thoughtful narrative.
• Editing: Try different speeds when editing your clip to achieve the best impact. Consider including sound effects or music to accompany the slow-motion images.
• Timing: Select the appropriate times to record in slow motion. You shouldn’t slow down your entire video. Instead, you can apply the effect to draw attention to acts or feelings.
• Frame Rate: Slow-motion videos are usually shot at a greater frame rate. Frame rates of 60, 120, 240, or even higher are common as they make the video look smoother.
• Shutter Speed: For precise and sharp results, use a fast shutter speed camera. This lessens the likelihood of motion blur in every slow-motion frame.

Part 2: Learning All Essential Techniques to Perform Slow Motion in Final Cut Pro X

Apple created Final Cut Pro , and it is only accessible to macOS users. Professional video editors can utilize the software’s array of capabilities. The tool offers incredible video editing functions. Its features are tailored to handle high-resolution video material. The tool has an AI object tracker that detects faces and objects. Its cinematic mode helps you create professional videos.

Final cut slow motion gives a dramatic and intense effect to your videos. You can create an entirely different video with the power of its editing features. Slow-mo Final Cut Pro gives high-resolution results. Follow the steps below to use this tool for slow-motion effects. However, you can choose any method that seems suitable and convenient to you:

Method 1

Import your video into the app and drag it into the timeline. Click on the video and select the “Speed Meter” icon from the timeline. If you want to access the retime menu directly, use the “Command+R” command. Now, select the “Slow” option, and from here, you can select the slow speed percentage at which you want your clip.

Method 2

Bring your video into the timeline and click on it. Select the “Speed Meter” icon; now, choose the “Custom” option. You can access customized settings directly using the “Control+Option+R” command to apply FCPX slow motion. Once you have opened the customization menu, manually set the speed rate and duration to how much you want.

Method 3

Drag the timeline cursor to where you want to make a speed change, select “Speed Meter,” and hit “Blade Speed” to create a cut and separate the clip. Make as many cuts as you want to, depending on how many speed changes you require. Now click on the clip whose speed you want changed and select “Custom” from the “Speed Meter” icon. Customize your clips’ speed rate and duration and save the video once you’re done.

Part 3: Wondershare Filmora: A Multi-Purpose Solution to Making Effective Slow-Motion Videos

Final Cut Pro can be difficult for beginners to understand. The tool has a variety of tutorials available online, but it’s still hard for many users to follow them. In this case, Wondershare Filmora is a great option for slow motion and other effects. It is an excellent alternative to final cut slow motion. Filmora offers many more wonderful features that will surely amaze you.

It can assist you in generating engaging content despite just cutting, trimming, and editing videos. With AI integration, this platform can automate your editing tasks.

Free Download For Win 7 or later(64-bit)

Free Download For macOS 10.14 or later

Step By Step Guide to Make Slow Motion Videos in Filmora

Unlike Final Cut Pro’s slow motion, Wondershare Filmora is more straightforward to operate. Follow the step-by-step guide below to apply slow-motion effects to your video.

Method 1: Uniform Speed

If you want to adjust the speed and retain its high quality, use the uniform speed option. You can access this option by following the stepwise method below. Using the advanced features, you don’t need any other tool to ensure the video’s original worth:

Step 1Import Your Project and Start a New Project

After launching Filmora, head to its “New Project” option from the home screen. You will enter the main editing screen this way. Import your project in the media panel and then drag it to the timeline.

Step 2Explore Uniform Speed and Adjust the Speed

Go to your video in the timeline and right-click on it. Now, explore the “Uniform Speed” option and tap on it to get an editing panel at the right. From that panel, move the “Speed” slider to the right and get a slow-motion video preview. You can see the “Duration” of the video after slowing it down and adjusting it accordingly.

Step 3Use Advanced Features to Ensure Quality of Videos

Move down and toggle the “Reverse Speed” option if required. You can enable the “Maintain Pitch” and “Ripple Edit” options to enhance the video automatically. Lastly, extend the “AI Frame Interpolation” menu using its downward symbol and choose “Optical Flow.” It will ensure that the video will remain slow with high quality.

Method 2: Speed Ramping

This method aims to bring smooth transitions in slow-motion videos. Instead of an abrupt change, a gradual increase in speed can impose a professional look. So, there are the steps to access this feature and get a preview of smooth playback.

Step 1Discover the Speed Ramping Feature

Access the Speed Ramping option next to the “Uniform Speed” in the right-side editing panel. Alternatively, you can right-click on the video and look for the “Speed Ramping” option from the list.

Step 2Pick a Template for Speed Ramping or Customize It

From the speed ramping section, you can choose any template from 6 options. Also, users can pick the “Customize” option to adjust the speed ramping as desired.

Step 3Use the Render Preview Option for Smooth Playback

To get a high-quality preview of your videos, look for Render Preview. In this regard, go to the top toolbar of the timeline section on the right side. Click the “Render Preview” icon next to the “Copilot Editor.” Wait for a while and get a smooth playback of your slow-motion video.

Integral Features of Filmora

Slowing down videos is easier than slow-mo Final Cut Pro. Filmora automates the process with an optical flow, ensuring the project’s high quality with one click. Without any wait, learn more about some top-rated features in the given section.

1. AI Thumbnail Creator

The AI Thumbnail Creator of Filmora makes thumbnail creation a matter of seconds. The tool is a treasure for YouTubers as it creates appealing thumbnails to attract viewers. It works with machine learning algorithms to detect the 3 best shots out of your video for thumbnail. Besides, there are over 58 thumbnail templates that can be customized after picking the right one.

2. AI Copilot Editing

AI Copilot is your personal assistant who guides you through everything related to Filmora. You can ask about any editing queries, and the AI will tell you the whole procedure within a second. It will also provide you with navigation towards the right feature. The tool is a big help for beginners; it makes using Filmora much faster and easier.

3. Motion Tracking

If you love giving an artistic touch to your videos, then motion tracking is exactly what you need. This feature automatically tracks the object throughout the video. You can add graphics, stickers, or even blur an object in the video. Furthermore, it allows you to add text with the tracked objects, like a name title with a running athlete.

4. Auto Reframe

With the help of the Auto Reframe feature, you can use one video on all social media platforms. The tool reframes your video in such a way that the main object doesn’t get removed. AI allows you to turn your landscape video into a vertical with a 19:6 aspect ratio. It saves you time and the trouble of creating different videos for every platform.

Conclusion

Slow-motion videos have become a trend due to social media, but they have been an essential film factor forever. Because of the rising demand for this effect, developers added the feature to their software. Many apps are developed to provide a slow-motion effect, which makes it tricky to choose one.

This article addresses your problem by showing you the use of final cut slow-motion. You have discovered a much simpler, faster, and effective platform, Wondershare Filmora. With proven statements in this article, it’s been easier to try Filmora and explore it fully instantly.

Make A Slow Motion Video Make A Slow Motion Video More Features

Part 1: What Makes a Perfect Slow-Motion Video?

An ideal FCP slow-motion video requires careful attention to technical details and aesthetics. Below are some essential things to think about bringing perfection in slow-motion videos:

• Resolution: A slow-motion video with visual appeal and a high resolution is crucial. This is especially vital if you intend to crop or zoom in on the video while editing.
• Storytelling: Make sure the slow-motion clip supports the idea you’re attempting to portray. Your scenes will have more impact if you tell them with a thoughtful narrative.
• Editing: Try different speeds when editing your clip to achieve the best impact. Consider including sound effects or music to accompany the slow-motion images.
• Timing: Select the appropriate times to record in slow motion. You shouldn’t slow down your entire video. Instead, you can apply the effect to draw attention to acts or feelings.
• Frame Rate: Slow-motion videos are usually shot at a greater frame rate. Frame rates of 60, 120, 240, or even higher are common as they make the video look smoother.
• Shutter Speed: For precise and sharp results, use a fast shutter speed camera. This lessens the likelihood of motion blur in every slow-motion frame.

Part 2: Learning All Essential Techniques to Perform Slow Motion in Final Cut Pro X

Apple created Final Cut Pro , and it is only accessible to macOS users. Professional video editors can utilize the software’s array of capabilities. The tool offers incredible video editing functions. Its features are tailored to handle high-resolution video material. The tool has an AI object tracker that detects faces and objects. Its cinematic mode helps you create professional videos.

Final cut slow motion gives a dramatic and intense effect to your videos. You can create an entirely different video with the power of its editing features. Slow-mo Final Cut Pro gives high-resolution results. Follow the steps below to use this tool for slow-motion effects. However, you can choose any method that seems suitable and convenient to you:

Method 1

Import your video into the app and drag it into the timeline. Click on the video and select the “Speed Meter” icon from the timeline. If you want to access the retime menu directly, use the “Command+R” command. Now, select the “Slow” option, and from here, you can select the slow speed percentage at which you want your clip.

Method 2

Bring your video into the timeline and click on it. Select the “Speed Meter” icon; now, choose the “Custom” option. You can access customized settings directly using the “Control+Option+R” command to apply FCPX slow motion. Once you have opened the customization menu, manually set the speed rate and duration to how much you want.

Method 3

Drag the timeline cursor to where you want to make a speed change, select “Speed Meter,” and hit “Blade Speed” to create a cut and separate the clip. Make as many cuts as you want to, depending on how many speed changes you require. Now click on the clip whose speed you want changed and select “Custom” from the “Speed Meter” icon. Customize your clips’ speed rate and duration and save the video once you’re done.

Part 3: Wondershare Filmora: A Multi-Purpose Solution to Making Effective Slow-Motion Videos

Final Cut Pro can be difficult for beginners to understand. The tool has a variety of tutorials available online, but it’s still hard for many users to follow them. In this case, Wondershare Filmora is a great option for slow motion and other effects. It is an excellent alternative to final cut slow motion. Filmora offers many more wonderful features that will surely amaze you.

It can assist you in generating engaging content despite just cutting, trimming, and editing videos. With AI integration, this platform can automate your editing tasks.

Free Download For Win 7 or later(64-bit)

Free Download For macOS 10.14 or later

Step By Step Guide to Make Slow Motion Videos in Filmora

Unlike Final Cut Pro’s slow motion, Wondershare Filmora is more straightforward to operate. Follow the step-by-step guide below to apply slow-motion effects to your video.

Method 1: Uniform Speed

If you want to adjust the speed and retain its high quality, use the uniform speed option. You can access this option by following the stepwise method below. Using the advanced features, you don’t need any other tool to ensure the video’s original worth:

Step 1Import Your Project and Start a New Project

After launching Filmora, head to its “New Project” option from the home screen. You will enter the main editing screen this way. Import your project in the media panel and then drag it to the timeline.

Step 2Explore Uniform Speed and Adjust the Speed

Go to your video in the timeline and right-click on it. Now, explore the “Uniform Speed” option and tap on it to get an editing panel at the right. From that panel, move the “Speed” slider to the right and get a slow-motion video preview. You can see the “Duration” of the video after slowing it down and adjusting it accordingly.

Step 3Use Advanced Features to Ensure Quality of Videos

Move down and toggle the “Reverse Speed” option if required. You can enable the “Maintain Pitch” and “Ripple Edit” options to enhance the video automatically. Lastly, extend the “AI Frame Interpolation” menu using its downward symbol and choose “Optical Flow.” It will ensure that the video will remain slow with high quality.

Method 2: Speed Ramping

This method aims to bring smooth transitions in slow-motion videos. Instead of an abrupt change, a gradual increase in speed can impose a professional look. So, there are the steps to access this feature and get a preview of smooth playback.

Step 1Discover the Speed Ramping Feature

Access the Speed Ramping option next to the “Uniform Speed” in the right-side editing panel. Alternatively, you can right-click on the video and look for the “Speed Ramping” option from the list.

Step 2Pick a Template for Speed Ramping or Customize It

From the speed ramping section, you can choose any template from 6 options. Also, users can pick the “Customize” option to adjust the speed ramping as desired.

Step 3Use the Render Preview Option for Smooth Playback

To get a high-quality preview of your videos, look for Render Preview. In this regard, go to the top toolbar of the timeline section on the right side. Click the “Render Preview” icon next to the “Copilot Editor.” Wait for a while and get a smooth playback of your slow-motion video.

Integral Features of Filmora

Slowing down videos is easier than slow-mo Final Cut Pro. Filmora automates the process with an optical flow, ensuring the project’s high quality with one click. Without any wait, learn more about some top-rated features in the given section.

1. AI Thumbnail Creator

The AI Thumbnail Creator of Filmora makes thumbnail creation a matter of seconds. The tool is a treasure for YouTubers as it creates appealing thumbnails to attract viewers. It works with machine learning algorithms to detect the 3 best shots out of your video for thumbnail. Besides, there are over 58 thumbnail templates that can be customized after picking the right one.

2. AI Copilot Editing

AI Copilot is your personal assistant who guides you through everything related to Filmora. You can ask about any editing queries, and the AI will tell you the whole procedure within a second. It will also provide you with navigation towards the right feature. The tool is a big help for beginners; it makes using Filmora much faster and easier.

3. Motion Tracking

If you love giving an artistic touch to your videos, then motion tracking is exactly what you need. This feature automatically tracks the object throughout the video. You can add graphics, stickers, or even blur an object in the video. Furthermore, it allows you to add text with the tracked objects, like a name title with a running athlete.

4. Auto Reframe

With the help of the Auto Reframe feature, you can use one video on all social media platforms. The tool reframes your video in such a way that the main object doesn’t get removed. AI allows you to turn your landscape video into a vertical with a 19:6 aspect ratio. It saves you time and the trouble of creating different videos for every platform.

Conclusion

Slow-motion videos have become a trend due to social media, but they have been an essential film factor forever. Because of the rising demand for this effect, developers added the feature to their software. Many apps are developed to provide a slow-motion effect, which makes it tricky to choose one.

This article addresses your problem by showing you the use of final cut slow-motion. You have discovered a much simpler, faster, and effective platform, Wondershare Filmora. With proven statements in this article, it’s been easier to try Filmora and explore it fully instantly.

Top 6 Drones for Videography

Drones are all the rage these days and for good reason. They’re a lot of fun to fly, and they can be a great addition to your toolkit for capturing aerial footage. But with so many different drones on the market, it can be tough to know which one is right for you.

That’s why we’ve put together this guide to the best drones on the market for every budget. Whether you’re looking for an entry-level drone that won’t break the bank or a top-of-the-line model that will let you capture stunning 4K footage, we’ve got you covered. So read on to find the perfect drone for you!

Buyers Guide: The Best 6 Drones on the Market for Every Budget

#1. DJI Air 2S: Among the best options for most people.

The DJI’s new Air 2S is our top pick. It finds the ideal compromise in terms of size, weight, picture quality, intelligent features, and price. The camera on the Air 2S isn’t as nice as the Mavic 2 Pro’s, which has a variable aperture for more flexible shooting in sunny conditions and includes neutral density filters to help make up for it.

1.3 pounds might not seem like much, but the Air 2S is a force to be reckoned with- it’s durable enough to fly in light winds and can stay up for 30 minutes! Plus, the new collision-avoidance system will keep you safe even when there are trees around, and the 1 inch 20 mp sensor captures amazing 5K video or still photos.

#2. Skydio 2+ Drone: If you want your flights to be handled automatically.

The Skydio 2+ has the best collision-avoidance system, far outperforming any other drone on the market. If you want a drone that can follow your mountain bike off-road or quickly maneuver through obstacles without your help, this is it. Its 27-minute flight time and 6-mile range make it restrictions for some people, but plenty for most. The 1/2.3-inch sensor on this camera is good enough for 4K footage at 60 frames per second, but it’s not as great as the 1-inch sensor in the Air 2S and Evo Lite+. D-log support is also absent, so video professionals might want to keep that in mind.

However, if you can live without D-log and don’t mind the slower sensor, this drone is capable of flying in places where other drones can’t. For certain applications, a smaller sensor may be preferable to having a great one.

#3. DJI Mini 3 Pro: The Best Ultralight Drone for Most People

The DJI Mavic Mini 3 Pro is the third version of the name, and it has been greatly improved from its original state. It features a 4K/60p footage with 1/1.3” sensor as well capture 12.1 megapixel RAW photographs. The Mini 3 Pro also has a 48-megapixel mode that improves image quality, but loses some camera functions. A faster F/1.7 lens is now on the front of the drone, and it also incorporates three-direction obstacle avoidance and a gimbal that allows for vertical shooting–all while weighing in at less than 250 grams. This number is important because, in many areas, a drone under 250 grams does not need to be registered (however, you should always check your local laws).

I was ecstatic about the performance of the Mini 3 Pro. It can fly in an impressive 45 minutes when using its extended battery–which is a dramatic improvement from the 32 minutes I got with the standard battery. Not to mention, it’s delightful to fly because it maneuvers so effortlessly in even high winds. The only issue I have with it is that its price has risen since DJI released Mini 2; however, they still sell both models.

#4. DJI Mini 2: Most Affordable Drone

The Mavic Air 2S has advanced collision-avoidance tech, but at a high cost. Even the new Mini 3 Pro sells for $750. If budget is more important to you than features, DJI’s Mini 2 would be your best bet. It flies compared to its larger siblings, though wind gusts that wouldn’t bother bigger drones like the Mavic 2 Pro will ground the Mini. The lack of collision-avoidance sensors makes it better suited for experienced pilots.

Even with those minor drawbacks, the Mini 2 is still a great beginner drone. It’s enjoyable to fly, captures 4K video footage, and can be stored in smaller spaces than many smartphones. And that last part is essential because the best drones are ones that you’ll actually bring with you instead of leaving at home. The Mini 2 only weighs 249 grams so it’s easy to transport, and you don’t even need to register it with the Federal Aviation Administration

#5. DJI Mavic 3: The Most Luxurious Drone

The DJI Mavic 3 Pro is a cut above the rest. It’s the finest drone on the market right now. The new 20-megapixel Four Thirds sensor produces outstanding image and video quality, and 45 miles per hour mobility allows you to follow and track objects without missing a beat.

If you’re willing to spend the money, this drone is definitely worth it. It has a 45-minute flying time and can avoid obstacles in all directions. The Cine model also supports Pro Res video and comes with 1TB of storage space- perfect for filmmakers or anyone who wants to capture high-quality footage.

#6. Autel Evo Lite+: Great for Long Flights

The Evo Lite+ is your best bet if you want to stay airborne as long as possible. Its massive battery provides a 40-minute flight duration, and the additional weight makes it more stable in the wind (though not by much). The Evo Lite+ features a fantastic camera with variable aperture controls, a 1-inch sensor, and night mode for better low-light photos.

The control does resemble an Xbox controller, which is nice, but it lacks the storage capacity for detachable joysticks that you get with DJI drones. It’s still perfectly functional, and Autel’s software will be familiar to anyone who has used a DJI drone.

Some Final Suggestions

Drones can be used for a variety of purposes, from shooting landscapes and cityscapes to capturing footage of sporting events or outdoor activities. They can also be used for wedding videos, real estate videos, and other types of commercial work. And if you’re just looking for some fun footage to add to your home movies, drones are the perfect way to do it.

Of course, not all drones are created equal. If you’re looking for a drone that can shoot high-quality video on a budget, there are a few things you need to keep in mind.

• First, make sure the drone has a high-resolution camera.
• Second, make sure the drone has a long battery life so that you can get plenty of shots without having to recharge.
• Third, make sure the drone is lightweight and easy to control so that you can get the perfect shot every time.

So, what’s the best drone for you? It depends on your budget and your needs. If you want a high-quality camera that can shoot in low light, the DJI Mavic 3 Pro is a perfect choice. If you’re looking for a long-flight drone, the Autel Evo Lite+ is a great option. And if you’re just starting out, the DJI Mini 2 is an affordable and easy-to-use drone that anyone can fly. With that said, happy flying!

Free Download For Win 7 or later(64-bit)

Free Download For macOS 10.14 or later

Free Download For macOS 10.14 or later

Also read: