Updated In 2024, Difference Between Time Lapse and Hyperlapse

Morgan Lv12

2024-04-24 01:01:42 2024-04-24 01:01:42 Created 2024-04-25 01:01:42 2024-04-25 01:01:42 Updated

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Difference Between Time Lapse and Hyperlapse

You’ve probably heard the terms “hyperlapse” and “timelapse” before. Whether it was in a blog post, a how-to guide, or on your preferred social media platform. Each of us has seen at least one image of one of them. However, what makes a difference? You’re about to learn in this article!

With that said, let’s begin!

Part 1. What is a timelapse, and how is it used?

Timelapses are familiar to you, whether they were used in a series to demonstrate a swift change from night today or at the beginning of your favorite influencer’s vlog. But exactly what is it? The term “timelapse” refers to a photography method in which static images are stitched together to produce a time-warping video. When the video is played, the time seems to pass more quickly, creating the illusion that time is slipping away.

Put your camera in a fixed position, stop it from moving, panning, or tilting, then record for a long time to make your own timelapse. This period of time could last for five minutes, an hour, days, or even years. Once the film is gathered, all that’s left to do is speed everything up.

The fact that time-lapses make for a pleasant visual effect is what makes them so popular in Vlogs and other media. This method enables you to describe the passage of time, the movement of individuals through space, etc. utilizes time-lapse.

Part 2. What is a hyperlapse?

On the other side, there are these things that we refer to as hyperlapses. In the subgenre of time-lapse photography known as cinematography, a hyperlapse is a filmmaking method used to generate motion shots by capturing movies rather than taking images. In order to create a hyperlapse, the camera does not remain stationary; rather, it follows the subject around and is typically held by the photographer.

The amount of time that elapses between pictures in a stop-motion video typically ranges from tenths of a second up to a few fractions of a second, although this can change significantly depending on what you want to show. However, after you have picked it, it must remain consistent in the same way that the timelapse does.

The attractive 3D look that hyperlapse produces is the primary draw for its utilization. The hyperlapse that is formed can produce a dreamy image, regardless of whether the camera is attached to a moving vehicle or is mounted on a tripod that is moving towards its target.

Additionally, you may use this approach to make stunning photographs with motion blur by employing long exposures. In most cases, the final image will be stabilized in post-production in order to eliminate some of the flaws that may have been captured in the original photo.

Part 3. What differentiates them from each other?

The movement of the camera is what differentiates these two approaches the most from one another. When capturing a time lapse, the camera is kept relatively still and in the same position throughout. In addition, when you use a hyperlapse, the camera is continuously moving, which creates a 3D appearance in the image.

You could be scratching your head right about now, wondering when you should employ one of the two methods. If your subject is moving, you should take a time-lapse photograph; if the camera is moving, you should take a hyperlapse photograph. This question has a relatively straightforward answer.

The act of recording video for a hyperlapse can cause your storage to be filled up really rapidly. Therefore, you may wish to swap between the two methods depending on the length of time that you want to shoot for. If you are going to be filming for a significant amount of time, you should consider using a timelapse.

It is simple to determine the timelapse interval if you already know these answers. Choose the video’s final frame rate. It may be 24, 25, or 30 fps. You shouldn’t select more quickly. Choose the option that best fits your audience and location. Additionally, a time-lapse calculator is available.

The shoot time should then be converted to seconds. For instance, two hours are equal to 2 x 60 x 60 seconds, or 7200 seconds. Determine how many frames are required for your chosen timelapse now. For instance, the final product should be 30 seconds of 25fps video. You’ll need to capture 750 frames in total because 30 x 25 is 750.

Divide the time (7200s in this case) by the number of frames to obtain the interval (750). You can round up the result, which is 9.6, which is pretty near to 10 seconds. Therefore, in our case, your interval should be set to 10s.

Part 4. Motion control timelapse

Now that we understand how the timelapse images that are static are created, we are able to incorporate some movement into the shots that are static. Moving the camera around during a timelapse is much more difficult than it appears to be in the video. Every movement of the camera is slowed down when using slow motion, which means that you can make even a shaky handheld movie look good when using slow motion. The situation is completely reversed while viewing a timelapse.

Because every movement of the camera is sped up, shooting with the handheld mode is nearly impossible. If you want the camera to appear to be moving slowly in the final timelapse, you will need to move it very slowly while shooting in order to achieve this effect.

For this reason, we will need to make use of motion control devices in order to accomplish our goal. Therefore, we refer to these kinds of photos as motion control timelapses. The camera can be moved very slowly and accurately along one, two, or all three axes using motors that are controlled electronically. The three-axis systems, which include a slider as well as a pan-tilt head, are by far the most popular.

Extra Info: Best Time Lapse Video Maker – Filmora

To create a time lapse video with cool effects, you can use the best video editor with rich effects – Filmora . This software offers many video speed change settings and creative effects to help make a time lapse video easily. Just download the software on your PC or Mac and then start creating a video on your own.

Conclusion

The finest results can be achieved by utilizing a variety of filmmaking approaches concurrently. Therefore, you shouldn’t be afraid to try out new things by combining time-lapse photography with slow motion and video. In addition, make sure you visit the Hyperlapse Academy so you can become familiar with all of the different approaches. Use your imagination, and don’t stop firing.

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How to Use Lumetri Color in Adobe After Effects

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When going forth with film post-production, video game creation, and television production, almost every video editor’s goal is to produce outstanding results. Usually, this cannot be achieved by using mediocre tools. One of the top-notch software video editors need to use is Adobe After Effect. Adobe After Effect is a motion graphics, digital visual effect, and compositing application developed by the Adobe system.

Adobe After Effects has tons of tools, and an exceptional one is a Lumetri color. With this functionality, you can easily carry out your color correction and color grading. Read this article and get to the bottom line on how to use Lumetri Color in Adobe After Effects.

Let’s dig in!

Does After Effects have Lumetri Color?

Yes, there is lumetri color in After Effects. Lumetri Color allows you to adjust contrast, light, and color to your video based on your preference. With After Effects, you can carry out various color customizations in the Lumerti panel without exiting your current project.

Furthermore, the Lumetri color panel in Adobe After Effects allows you to export your settings to another different premiere pro project wholly. Usually, the file is exported as a .cube file – This relieves you from the wearisomeness of creating new grading features.

How to use Lumetri Color in Adobe After Effects

You don’t need to be a pro for you to use Lumetri Color in Adobe After Effects. The color workspace in Adobe After Effect is designed to be straightforward and user-friendly.

The Lumetri Color panel in Adobe contains the histogram, vectorscope, parade scope, and waveform monitor. The histogram, parade scope, and waveform monitor display image intensity, whereas the vectorscope display hue and color saturation.

Lumetri Color is considered an ultimate choice by most editors due to its wide range of functionalities. Some of the functionalities in the Lumetri panel include:

1. Vignettes

Vignette is an outstanding feature that effortlessly allows Lumetri users to adjust lightness and darkness using sliders.

Vignettes allow you to darken the borders and highlight certain parts. You will therefore create more emphasis on highlighted parts in your clip.

2. HSL Secondary

When you want to get exceptional footage controls, HSL Secondary (Hue, Saturation, and Luminance) is often the best functionality. HSL Secondary easily separates your footage and works on a selected piece.

With the functionality, you can easily manipulate the skin tones in your footage and refocus images.

3. Curves

The Lumetri panel in Adobe After Effects renders its users the curves functionality. There are two curves in the Lumetri Panel, i.e., Hue Saturation curves and luminesce curves.

The Hue/Saturation curve uses the red, green, and blue (RBG) flagship, whereas the luminance curve helps manage the frame curve’s tone.

4. Fx Bypass

Fx Bypass is a new functionality feature in the Lumetri panel. It allows you to bypass and reset effects without switching to the controls panel.

How to use Lumetri Color

With your Adobe After Effects, you can make quick and advanced color changes to your clips. Here are the simple steps on how to use Lumetri Color.

Step 1. Add your footage to the timeline

First, open your Adobe After Effect and add your video file to the software. Drag and drop to add it to the timeline.

Step 2. Open Lumetri Color

Here, you highlight your video in the timeline, then head over to the “Window” menu. From the drop-down menu, select “Effects & presets” > “Lumetri Color.”

Alternatively, you can go to the “Effects” menu, which is at the left-hand side of your interface, then select “Color Correction”> “Lumetri Color.”

Step 3. Carry out your Color Grading and Saturation

With the “Lumetri Color” functionality, you can carry out various adjustable settings such as tone, hue, saturation and color grading.

To carry out saturation:

Click on the “ Hue/Saturation “ from the drop-down menu in “Lumetri Color.” You can change the color of the entire footage by adjusting the “Master Hue” from the Effects Control Panel.

Alternatively, you can opt to fine-tune the freshly selected color by using the “Master Saturation” and Master Lightness.”

To carry out color grading:

After opening the “Lumetri Color” panel as in step 2 above, click on the eyedropper to select the curve you want to use.
Click the color in your footage that you wish to adjust. Usually, when you use the eyedropper, three points will be added to the graph. The two bottom points restrict color selection to a minimum range, whereas the first represents your selected color.

How to Use Lumetri Scope

Besides the Lumetric Color, Lumetric Scope is another essential tool for post-film production in Adobe After Effects. The color correcting tool, Lumetric scope guarantees its users’ accurate results when used correctly.

When carrying out color corrections in films, it is advisable to use quality monitor calibrators and paint your workspace walls neutral grey. Usually, it reduces lighting distraction and the external color effect, respectively.

However, not every editor can meet all the required basics, and that is where Lumetri scope comes in. Lumetri Scope allows one to get the best color results in their videos. Here are the steps on how to use Lumetri Scope:

Step 1. Open Lumetric Scope

First, open your Adobe After Effect application and add your footage to the timeline. Go to the “ Window “ menu at the top-left-hand side of your interface.

In the drop-down menu, select “Lumetri Scopes” or “Workspaces,” then click on the “Color” option.

The Lumetri Scope tab will be displayed adjacent to the timeline footage.

Step 2. Evaluate Hue and Saturation using Vectorscope

In the Lumetri Scope tab, click on the wrench icon, and a drop-down menu will be displayed. From the menu, select “Vectorscope YUV” and read the saturation. When reading saturation, begin from the center going outwards.

Hue, on the other hand, is read in a circular direction.

Step 3. Evaluate the tonal values and Brightness using Histogram

The histogram in Lumetri Scope displays an image’s tonal values and brightness levels.

To measure the brightness and tonal values, go back to the Lumetri Scope panel and click on the wrench icon. Click on “Presets” from the drop-down menu and select “Histogram.”

The scale in the histogram starts from 0 (pure black) to 225 (pure white). You, therefore, need to view the number of pixels for every color horizontally when reading.

Step 4. Evaluate Color and Brightness Intensities using Waveform Monitor

The color and brightness are read from the bottom to the top in the waveform monitor.

Click on the wrench icon to view the intensities, then pick the “Presets” option > “Waveform RBG.” A drop-down menu (RGB, YC, Luma, and YC no Chroma) will be displayed that allows you to do the readings.

Reading the IRE scale is usually done in ascension (0 to 100).

Step 5. Evaluate the Individual color channels using Parade Scope

Here, click on the wrench icon in the Lumetri Scopes panel, then select the “Presets”> “Parade RGB.” Select from the alternate Lumetri scope combinations of RGB, RGB-White, YUV, YUV white.

Is there a simple way to Unionise the Color of my Video?

Have you tried color grading and color correction in Lumetri using Adobe After Effects, but your efforts are bearing no fruits? It would be best not to worry since there is a simple way out. So, Yes! There is a simple way to unionize the color of your video – it is by using Wondershare Filmora .

Wondershare Filmora is a professional application to edit videos with a wide range of tools that allows its users to create stunning videos with ease. From its simple and intuitive design to its wide range of functionalities and affordability, Filmora users have every reason to stick to the software.

Some of the functionality features that make Wondershare Filmora easy to use include:

Curve Section

Filmora has way simpler curves than Adobe After Effects. Filmora has two presets, i.e., One that creates an S-curve over the graph, and the other resets graph to a straight linear line. Usually, the S-curve represents soft contrasts.

YUV color correction

The YUV color correction feature in Filmora functions straightforwardly when compared to Adobe After Effects. The Y and V channels in Filmora stores color data, whereas the U channel carries the brightness data. Editors find it effortlessly using the YUV color correction in Filmora.

Hue and Saturation

Hue, saturation, and lightness levels in Wondershare Filmora are undeniably very easy to understand unline other premiere software applications.

In Filmora, the Hue shift plays an essential role in shuffling the colors, whereas the Saturation defines the overall intensity of colors in an image.

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