Wondering How to Edit a Video to Slow Motion on iPhone and Android Devices? Find Out How to Use Wondershare Filmora to Create and Edit Slo Mo Videos in a Few Clicks

How to edit a video to slow motion on iPhone and Android? Slow motion is an important part of video editing. You would be enhancing your feature-length films or simply preparing cool stuff for posting on social media. By slowing down some or all the scenes of your video, you make it appear cool and more interesting. The slo mo allows viewers to notice specific details of your videos or focus on what you want them to. To show you how to make slow motion video in Android and iPhone, we are going to introduce a versatile video editing app that works well on both platforms. This article will provide the step-by-step process on how to edit video to slow motion on iPhone and Android using Wondershare Filmora.

Slow Motion Maker Slow your video’s speed with better control of your keyframes to create unique cinematic effects!

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Part 1. How to Make Slow Motion Videos on iPhone With Filmora : 2 Ways

Creating slo mo videos is a staple in video editing, which helps make videos more cinematic and engaging. Understanding how to edit iPhone slow motion video will help you to create quality videos on the go. It also gives you more freedom in how you tell your visual story or keeping the attention of your viewers throughout the video.

Free Download For Win 7 or later(64-bit)

Free Download For macOS 10.14 or later

When you slow motion a video, you make it easier for your viewers to observe details in every minute. This is also an effective way to add emotional weight or a dramatic flair to your videos. Let’s explore how to edit a video slow motion on iPhone with Wondershare Filmora.

Step 1: Download Wondershare Filmora

Open the App Store on your phone. Search for Wondershare Filmora, download and launch the app on your phone. Follow the instructions on the screen to create a Filmora account or log in to an existing one to start using the app.

Step 2: Import Video to Filmora

Once you open the Filmora app, tap the + button and import the video you want to edit from your photo library.

Step 3: Slow Down the Video

Once you have imported the video, slow it down to your desired speed. You have two ways to achieve this with Filmora for iPhone:

Method 1Use the Uniform Speed Slider

Tap on the video clip, and at the bottom of the screen, select the speed slider. Adjust the slider to the right or left to adjust the speed of your video. Then tap Done, and save your video.

Method 2Use the Speed Ramping Feature

The speed ramping feature will gradually change the speed of your video. When done right, speed ramps in a video add a cinematic feel and look. Tap on the video clip. Then tap on the Speed Ramping feature at the bottom of the screen. Use the graph that appears to set the speed ramp for your video. You may choose the presets already available or customize the speed based on your own desired setting. Tap Done when you are satisfied and save the video.

Part 2. How to Make Slow Motion Videos on Android with Filmora : 2 Ways

The Android operating systems does allow you to slow down or speed up video. However, third-party apps like Wondershare Filmors provide more versatile and better outcomes. The app helps you quickly change the playback speed of a video. It is a great choice for anyone wondering how to make slow motion video in Android.

You can opt for speeding up or slowing down the video based on what you specifically want to achieve. There is also the option to use the Speed Ramp feature which allows you to customize different speed rates for the same clip. In some circumstances, combining the two features can produce exceptional results in your video editing projects. Let’s have a look at how you can use this app on your Android phone.

Free Download For Win 7 or later(64-bit)

Free Download For macOS 10.14 or later

Step 1: Download and Install Filmora

Search for Wondershare Filmora in the Google Play Store. The app is available for Android devices running Android 7.0 or higher, making it compatible with a wide range of devices. Download and install the Filmora: AI Video Editor and Maker app on your Android phone. Start the app and follow the instructions to create a new or sign into an existing account.

Step 2: Import Your Video into Filmora

Once you start the Filmora app on your Android device, tap the + button and select the video you want to import. This will add the video files in Filmora to start editing its specific components, including speed.

Step 3: Adjust the Speed with Filmora

Filmora for Android offers two methods to edit the speed of your video. You can use the speed slider for direct editing or the Speed Ramping feature for a more creative approach.

Method 1Use the Uniform Speed Slider

Tap the video that you have imported. Then, select the speed slider at the bottom of the screen. Adjust the speed of the video by dragging the speed slider to the left or right. Once satisfied, tap the Check button and save your video.

Method 2Use the Speed Ramping Feature

With the Speed Ramping feature, adjust the speed of your Android video gradually in a more creative manner. You may slow it down at the beginning or the end while accelerating the middle. This makes the video fun and more engaging to your audience.

To use this feature on Filmora for Android, tap on the video clip and select the Speed Ramping icon at the bottom of the screen. Use the graph that appears to adjust how you want the video to slow down or speed up when playing it back. Tap on the Check button once done and save your video.

Conclusion

Creating slow-motion videos is a vital skill in video editing. It improves visual storytelling and keeps your audience more engaging by focusing on the most important aspects of your videos. Wondering how to edit slo mo video on iPhone and Android devices, Wondershare Filmora offers an intuitive feature to do this. The user-friendly tool is effective in slowing down videos on both iPhone and Android phones. Download the app App Store for iPhone and Play Store for Android to enhance your slow-motion videos and unleash the creativity of mobile phone video editing.

Free Download Free Download Learn More

Part 1. How to Make Slow Motion Videos on iPhone With Filmora : 2 Ways

Creating slo mo videos is a staple in video editing, which helps make videos more cinematic and engaging. Understanding how to edit iPhone slow motion video will help you to create quality videos on the go. It also gives you more freedom in how you tell your visual story or keeping the attention of your viewers throughout the video.

Free Download For Win 7 or later(64-bit)

Free Download For macOS 10.14 or later

When you slow motion a video, you make it easier for your viewers to observe details in every minute. This is also an effective way to add emotional weight or a dramatic flair to your videos. Let’s explore how to edit a video slow motion on iPhone with Wondershare Filmora.

Step 1: Download Wondershare Filmora

Open the App Store on your phone. Search for Wondershare Filmora, download and launch the app on your phone. Follow the instructions on the screen to create a Filmora account or log in to an existing one to start using the app.

Step 2: Import Video to Filmora

Once you open the Filmora app, tap the + button and import the video you want to edit from your photo library.

Step 3: Slow Down the Video

Once you have imported the video, slow it down to your desired speed. You have two ways to achieve this with Filmora for iPhone:

Method 1Use the Uniform Speed Slider

Tap on the video clip, and at the bottom of the screen, select the speed slider. Adjust the slider to the right or left to adjust the speed of your video. Then tap Done, and save your video.

Method 2Use the Speed Ramping Feature

The speed ramping feature will gradually change the speed of your video. When done right, speed ramps in a video add a cinematic feel and look. Tap on the video clip. Then tap on the Speed Ramping feature at the bottom of the screen. Use the graph that appears to set the speed ramp for your video. You may choose the presets already available or customize the speed based on your own desired setting. Tap Done when you are satisfied and save the video.

Part 2. How to Make Slow Motion Videos on Android with Filmora : 2 Ways

The Android operating systems does allow you to slow down or speed up video. However, third-party apps like Wondershare Filmors provide more versatile and better outcomes. The app helps you quickly change the playback speed of a video. It is a great choice for anyone wondering how to make slow motion video in Android.

You can opt for speeding up or slowing down the video based on what you specifically want to achieve. There is also the option to use the Speed Ramp feature which allows you to customize different speed rates for the same clip. In some circumstances, combining the two features can produce exceptional results in your video editing projects. Let’s have a look at how you can use this app on your Android phone.

Free Download For Win 7 or later(64-bit)

Free Download For macOS 10.14 or later

Step 1: Download and Install Filmora

Search for Wondershare Filmora in the Google Play Store. The app is available for Android devices running Android 7.0 or higher, making it compatible with a wide range of devices. Download and install the Filmora: AI Video Editor and Maker app on your Android phone. Start the app and follow the instructions to create a new or sign into an existing account.

Step 2: Import Your Video into Filmora

Once you start the Filmora app on your Android device, tap the + button and select the video you want to import. This will add the video files in Filmora to start editing its specific components, including speed.

Step 3: Adjust the Speed with Filmora

Filmora for Android offers two methods to edit the speed of your video. You can use the speed slider for direct editing or the Speed Ramping feature for a more creative approach.

Method 1Use the Uniform Speed Slider

Tap the video that you have imported. Then, select the speed slider at the bottom of the screen. Adjust the speed of the video by dragging the speed slider to the left or right. Once satisfied, tap the Check button and save your video.

Method 2Use the Speed Ramping Feature

With the Speed Ramping feature, adjust the speed of your Android video gradually in a more creative manner. You may slow it down at the beginning or the end while accelerating the middle. This makes the video fun and more engaging to your audience.

To use this feature on Filmora for Android, tap on the video clip and select the Speed Ramping icon at the bottom of the screen. Use the graph that appears to adjust how you want the video to slow down or speed up when playing it back. Tap on the Check button once done and save your video.

Conclusion

Creating slow-motion videos is a vital skill in video editing. It improves visual storytelling and keeps your audience more engaging by focusing on the most important aspects of your videos. Wondering how to edit slo mo video on iPhone and Android devices, Wondershare Filmora offers an intuitive feature to do this. The user-friendly tool is effective in slowing down videos on both iPhone and Android phones. Download the app App Store for iPhone and Play Store for Android to enhance your slow-motion videos and unleash the creativity of mobile phone video editing.

Leveraging the Vectorscope for Better Color Correction in Premiere Pro

Our eyes process colors differently. When two people look at the same picture, they may see different shades of colors. In post-production, Vectorscopes help to color grade and make sure you get your images exactly right. This means that you will process the exact color that you want across devices. Premiere Vectorscope is a great choice for anyone looking to correct and grade colors. Using Vectorscope Premiere allows you to get quantitative data about your image for a more accurate assessment of colors within the film. In this article, we explore what comprises Premiere Pro Vectorscope and how to use them in video editing.

Color Correction Editor An easy-to-use video editor helps you make color correction and color grading experience for videos!

Free Download Use Vectorscope in Filmora Try Color Correction

Part 1. Vectorscope: What is It and How to Read

Vectorscopes provide a great post-production way for color correction. It is video scope that provides greater data about the color properties of an image. Another way to look at it is that a Vectorscope is a circular graph, which monitors the following information of an image. By looking at it, you can measure saturation outward from the center while hue is measured in a circular pattern.

The Vectorscope contains markings indicating the degree of saturation and hue in an image. The distance of the markings from the center indicates how saturated the color is in your image. In simple terms, the further the markings, the more saturated the color. The two main options of Vectorscope are HLS and YUV. The HLS displays the hue, lightness, saturation, and signal information at a glance. On the other hand, the YUV mode contains several color boxes, giving accurate levels of hue and saturation.

Vectorscopes are useful to filmmakers and editors to ensure greater conformity in a film as they transition from one shot to the next. When the camera captures an image with too much saturation, using a Vectorscope helps to reduce the said saturation. This makes Vectorscope a useful feature for color correction and color grading. Color correction involves altering the colors of an image within a film to provide consistency and tone for the film. On the other hand, color grading is more like a supercharged version of color correction. It refers to altering a film so that it matches a tone or theme. Since the two, grading and correction are important, more video editing will use a combination of both.

How to Read a Vectorscope

Learning how to read a Vectorscope will make your video editing fun and easier. The best way is to view the Vectorscope in relation to the color wheel. When using Premiere Vectorscope, the colors are nicely labeled for anyone to understand. You only need to understand the primary colors of saturation and hue to accurately read a Vectorscope.

The hue color is the direction to which the marketer points. For instance, a marker pointing toward the boxes labeled “R” indicates that the hue is predominantly red. On the other hand, the saturation correlates to the length of the marker. The image is more saturated when the marker is furthest from the center of the wheel.

Keep note of the two boxes in each main color. The box that is close to the center indicates 75%, and you will normally avoid the marker extending beyond this first box. Any marketer that extends beyond this is known as non-broadcast safe or illegal colors. Although you may need to go beyond the first box in some projects for stylistic reasons, the general rule of thumb is to avoid that.

Without proper calibration, your images may end up looking too red or too blue. They will not look natural at all and will affect the overall quality of your video. Therefore, using the features within the vectorsope will help you color-grade your images to perfection.

Part 2. Vectorscope in Premiere Pro : A Brief Guide

Just like many other video editing software, Adobe Premiere Pro offers Vectorscope to help in post-production. The best way to look at Vectorscope in Premiere Pro is to use the Color Correction workspace. Once you have launched the software, Click Window, followed by Workspace, and then Color Correction. Access the reference monitor directly to deliver the program.

The reference monitor will first display composite video. Clicking on the setting icon allows you to access the panel and choose the video scope you want to use. Now, this is how you use the Vectorscope in Premiere Pro:

1. Reading a Vectorscope on Premiere Pro

A Vectorscope is similar to a color wheel. It displays colors in the same places as the wheel, with cyan to the bottom right and red to the top left. When you see a dot or line in the Vectorscope, you can tell it is giving you information about the color or chrominance of a shot. Essentially, this information is the hue (specific color) and the saturation (the strength of that hue).

As you examine the Vectorscope, you get to see how strong a particular color is by the length of the line from the center of the wheel. A longer line indicates that the color is more saturated. However, all Vectorscopes have small color targets. The Vectorscope points are lined with a drop-down used to read the scope. The default is set to 75%, which is a good limit for a typical broadcast system.

2. Adjusting Skin Tones

A commonly used feature of the Premier Pro Vectorscope is the Skin Tone Line. With this feature, you get the line on the scope between the Yellow and the Red sections at about 10.30 or 11 o’clock position.

The Vectorscope skin tone line represents the color of blood flowing through the skin. You can use this line to check the accuracy of skin tone color representation regardless of the ethnicity of the person you’re filming. In particular, video images are more accurate

The major problem is figuring out how to look at skin tones in a shot with many other colors. With the skin tons line in Premiere Pro, color correction becomes easy and quick. You only need to use a garbage matte, which is found under video effects then keying. Adjust the points so that they cover the skin of the person on the shot, then look at the Premiere Pro Vectorscope to see your end results.

Part 3. How to Use Vectorscope in Filmora : Step-by-Step Guide

The choice of video editing software can have an impact on how well you use your Vectorscopes. Wondershare Filmora is a great choice for anyone who wants to achieve great results with their videos. The versatile video editing software offers four types of video scopes, including the Vectorscope. This gives you more flexibility in video editing and achieving accurate results in color correction and grading. With the recent V13, you also get access to a range of AI features that make video editing quicker and easier.

Free Download For Win 7 or later(64-bit)

Free Download For macOS 10.14 or later

Access Vectorscope on Filmora

Accessing Vectorscope in Filmora is straightforward. As part of the four available video scopes, Filmora has made it easy to use Vectorscope during video editing. Here is a step-by-step guide to follow:

Step 1Create a New Project on Filmora

Once you have downloaded and installed the Filmora software on your desktop, launch it and click Create a New Project.

Step 2Access Video Scopes

After starting a new project, head to the top right corner of the main interface. Click on the Video Scope button to launch the video scope bar on the preview screen.

Step 3Customize Video Scopes Layout Bar

Customizing the layout of the video scope bar allows you to have more freedom in using the feature. You have the option to choose from four layouts or expand the button to display the video scope’s name. The purpose of this step is to modify the display option of the video scopes, allowing you to have a clear view of what you are editing.

Step 4Manage the Vectorscope as Desired

On the preview screen, choose the Vectorscope option. This video scope allows you to define the skin tone indication for better color grading and correction.

Step 5Change Other Video Scopes

To achieve more accurate and better results, explore the other video scopes in the same window. View the color changes in your image through parade, histogram, and waveform video scopes. You can also change the color channels to view specific color changes across the video.

Conclusion

Vectorscopes are great for post-production color correction. Although lesser-known features to many people, they are widely used in video production. They ensure that the colors in your video are consistent across all clips or shots of your film. Since filming will often involve different shots and settings, we recommend using Wondershare Filmora for your video editing. It comes with an easy-to-use Vectorscope and other video scopes that help you achieve great results with color correction and grading.

Free Download Use Vectorscope in Filmora Try Color Correction

Part 1. Vectorscope: What is It and How to Read

Vectorscopes provide a great post-production way for color correction. It is video scope that provides greater data about the color properties of an image. Another way to look at it is that a Vectorscope is a circular graph, which monitors the following information of an image. By looking at it, you can measure saturation outward from the center while hue is measured in a circular pattern.

The Vectorscope contains markings indicating the degree of saturation and hue in an image. The distance of the markings from the center indicates how saturated the color is in your image. In simple terms, the further the markings, the more saturated the color. The two main options of Vectorscope are HLS and YUV. The HLS displays the hue, lightness, saturation, and signal information at a glance. On the other hand, the YUV mode contains several color boxes, giving accurate levels of hue and saturation.

Vectorscopes are useful to filmmakers and editors to ensure greater conformity in a film as they transition from one shot to the next. When the camera captures an image with too much saturation, using a Vectorscope helps to reduce the said saturation. This makes Vectorscope a useful feature for color correction and color grading. Color correction involves altering the colors of an image within a film to provide consistency and tone for the film. On the other hand, color grading is more like a supercharged version of color correction. It refers to altering a film so that it matches a tone or theme. Since the two, grading and correction are important, more video editing will use a combination of both.

How to Read a Vectorscope

Learning how to read a Vectorscope will make your video editing fun and easier. The best way is to view the Vectorscope in relation to the color wheel. When using Premiere Vectorscope, the colors are nicely labeled for anyone to understand. You only need to understand the primary colors of saturation and hue to accurately read a Vectorscope.

The hue color is the direction to which the marketer points. For instance, a marker pointing toward the boxes labeled “R” indicates that the hue is predominantly red. On the other hand, the saturation correlates to the length of the marker. The image is more saturated when the marker is furthest from the center of the wheel.

Keep note of the two boxes in each main color. The box that is close to the center indicates 75%, and you will normally avoid the marker extending beyond this first box. Any marketer that extends beyond this is known as non-broadcast safe or illegal colors. Although you may need to go beyond the first box in some projects for stylistic reasons, the general rule of thumb is to avoid that.

Without proper calibration, your images may end up looking too red or too blue. They will not look natural at all and will affect the overall quality of your video. Therefore, using the features within the vectorsope will help you color-grade your images to perfection.

Part 2. Vectorscope in Premiere Pro : A Brief Guide

Just like many other video editing software, Adobe Premiere Pro offers Vectorscope to help in post-production. The best way to look at Vectorscope in Premiere Pro is to use the Color Correction workspace. Once you have launched the software, Click Window, followed by Workspace, and then Color Correction. Access the reference monitor directly to deliver the program.

The reference monitor will first display composite video. Clicking on the setting icon allows you to access the panel and choose the video scope you want to use. Now, this is how you use the Vectorscope in Premiere Pro:

1. Reading a Vectorscope on Premiere Pro

A Vectorscope is similar to a color wheel. It displays colors in the same places as the wheel, with cyan to the bottom right and red to the top left. When you see a dot or line in the Vectorscope, you can tell it is giving you information about the color or chrominance of a shot. Essentially, this information is the hue (specific color) and the saturation (the strength of that hue).

As you examine the Vectorscope, you get to see how strong a particular color is by the length of the line from the center of the wheel. A longer line indicates that the color is more saturated. However, all Vectorscopes have small color targets. The Vectorscope points are lined with a drop-down used to read the scope. The default is set to 75%, which is a good limit for a typical broadcast system.

2. Adjusting Skin Tones

A commonly used feature of the Premier Pro Vectorscope is the Skin Tone Line. With this feature, you get the line on the scope between the Yellow and the Red sections at about 10.30 or 11 o’clock position.

The Vectorscope skin tone line represents the color of blood flowing through the skin. You can use this line to check the accuracy of skin tone color representation regardless of the ethnicity of the person you’re filming. In particular, video images are more accurate

The major problem is figuring out how to look at skin tones in a shot with many other colors. With the skin tons line in Premiere Pro, color correction becomes easy and quick. You only need to use a garbage matte, which is found under video effects then keying. Adjust the points so that they cover the skin of the person on the shot, then look at the Premiere Pro Vectorscope to see your end results.

Part 3. How to Use Vectorscope in Filmora : Step-by-Step Guide

The choice of video editing software can have an impact on how well you use your Vectorscopes. Wondershare Filmora is a great choice for anyone who wants to achieve great results with their videos. The versatile video editing software offers four types of video scopes, including the Vectorscope. This gives you more flexibility in video editing and achieving accurate results in color correction and grading. With the recent V13, you also get access to a range of AI features that make video editing quicker and easier.

Free Download For Win 7 or later(64-bit)

Free Download For macOS 10.14 or later

Access Vectorscope on Filmora

Accessing Vectorscope in Filmora is straightforward. As part of the four available video scopes, Filmora has made it easy to use Vectorscope during video editing. Here is a step-by-step guide to follow:

Step 1Create a New Project on Filmora

Once you have downloaded and installed the Filmora software on your desktop, launch it and click Create a New Project.

Step 2Access Video Scopes

After starting a new project, head to the top right corner of the main interface. Click on the Video Scope button to launch the video scope bar on the preview screen.

Step 3Customize Video Scopes Layout Bar

Customizing the layout of the video scope bar allows you to have more freedom in using the feature. You have the option to choose from four layouts or expand the button to display the video scope’s name. The purpose of this step is to modify the display option of the video scopes, allowing you to have a clear view of what you are editing.

Step 4Manage the Vectorscope as Desired

On the preview screen, choose the Vectorscope option. This video scope allows you to define the skin tone indication for better color grading and correction.

Step 5Change Other Video Scopes

To achieve more accurate and better results, explore the other video scopes in the same window. View the color changes in your image through parade, histogram, and waveform video scopes. You can also change the color channels to view specific color changes across the video.

Conclusion

Vectorscopes are great for post-production color correction. Although lesser-known features to many people, they are widely used in video production. They ensure that the colors in your video are consistent across all clips or shots of your film. Since filming will often involve different shots and settings, we recommend using Wondershare Filmora for your video editing. It comes with an easy-to-use Vectorscope and other video scopes that help you achieve great results with color correction and grading.

5 Methods to Denoise a Video

In today’s world, the quality of digital product such as photos and videos increase day by day, prompting us to create our content crystal clear and keep it that way. Of course, different kinds of effects and filters are great, and something called “noise” is one of them, but sometimes it is actually unwanted and makes our footage less likable. What is noise, or denoising, anyway? Well, instead of clear video, it’s something quite different – the footage looks grainy, sometimes excessively, and makes our eyes hurt, or simply, more difficult to see what’s going on on the screen. And if you didn’t decide to use a noise effect, then from where does it appear?..

Noise means a mix of different variations of brightness or color information in the shot. It is likely to show up when there is a low light, and/or when the video is taken with small sensors such as smartphones and action cameras. It works as follows: if someone tries to compensate for low-light settings with gain and ISO, more noise is produced.

But, as our readers already know, almost nothing is ever impossible to solve. There is a way to get rid of this annoying grain, and it is called, as pretty obvious, denoising. Hence, denoising in image and video production is used as a technique to take footage from grainy to crystal-clear. And, as you may already agree, it improves a viewer’s quality of experience. And how does this happen? - There are varied techniques, and each of them uses different mathematical and statistical models.

What is considered a good noise reduction? The technique is successful when it suppresses noise effectively in uniform regions; preserves edges and other characteristics, such as fine details and textures; and provides a visually natural experience.

and here you will learn 5 ways, as in 5 software to denoise a video. We’ll touch upon the following ones: Final Cut Pro, Adobe After Effects, Adobe Premiere Pro, DaVinci Resolve and Movavi Video Editor. But, we are not limited to these ones, so maybe there is one more you could use? You’ll find out in the article!

• Final Cut Pro

Noise that appears as unwanted grain or artifacts in the video image can be removed in Final Cut Pro pretty easily, you just have to follow the little steps for it. Keep in mind that Final Cut Pro is not eligible for PC, this editor is only available for Mac (but Windows users, tune in for the editors functioning on PC’s!)

So, you have your grained footage, which you already chose to denoise, and for which you will need a video reduction effect.

First, you will need to open Final Cut Pro and import abovementioned video. Select this clip in the timeline,

and position the play head in a way that the clip appears in the viewer, that is, on the big screen - for you to see well.

Click the Effects button in the top-right corner of the timeline, or, to use the shortcut, press Command & 5.

In the Effects browser, select the Basics category in the list of Video effects on the left, then select the Noise Reduction effect. For 360° clips, select the 360° category, then select the 360° Noise Reduction effect.

And you will need to do one of the following:

Drag the effect to the timeline clip you want to apply it to, or double-click the effect thumbnail to apply the effect to the selected clip.

When the effect is applied, Final Cut Pro analyzes the clip for noise, so you might need to wait for a little while the process is complete and only then see the result.

Interesting tip you can remember is that if you are using several effects to your video clip, then adding Noise Reduction as the first effect would guarantee the best results for you. So, Mac users, you can start denoising your videos in Final Cut Pro now!

• Adobe After Effects

Adobe After Effects is a digital visual effects, motion graphics, and compositing application… Pretty intense, right? This very software has endless powers, and one of them is, you guessed correctly – denoising the video! So, how are we going to do that in this monster of the industry?

Sometimes what’s annoying about this kind of programs is that you need plugins, so let’s try to find a way to achieve our desired result without using anything external.

So, first of all (as in all cases!) import your video into After Effects. Then, you will need to find Effect in the menu, and find: Noise and Grain. There, you will choose Remove Grain and click on it.

On the left side of the program layout, the Effects Control will be opened. Now, you see viewing mode, where you need to change Preview to Final Output.

So, this will be the video with Preview checked:

Which will look like this when Final Output is checked:

Somewhat different and looking better, right?..

By the way, you can watch the whole process video here !

• Adobe Premiere Pro

Adobe Premiere Pro is one of the most and sophisticated video editor. So, of course, there is a way to reduce noise in this software as well, and this can be reached using effect called Median.

First of all, you add your footage to the Timeline in Premiere Pro and then go find the Effects Panel, where Median can be found. You need to drag and drop the Median effect to your video clip.

The next step is to make sure that adding the effect to the grainiest parts of the clip, which can be done using masks. So, in the Effects Control panel, you’ll need to select the mask shape for your clip – you can either choose rectangle, circle, or pen tool. With the latter you can move the Mask around the screen and resize it to cover the area.

And if you Change the Feather setting to 100, the effect will not have a very visible edge and some smoothness will cover for it.

You will need to repeat the process with more than one mask, if you would like to have covered all of the grainy area of your shot.

Lastly, you’ll need to adjust the effect settings to reduce the noise.

The Median effect doesn’t actually take away the graininess, it just blurs it. You’ll need to experiment with the Radius settings until you are happy with the result.

• DaVinci Resolve

When it comes to DaVinci Resolve, the process is somewhat different in the free version of it. So, first of all, off course, you add your footage into the timeline. Then,you are going to find the fusion tab underneath the timeline panel.

You will see MediaIn1 and MediaOut1, you click on MediaIn1, which will ensure the scene appears in the first viewer – and MediaOut1 by default is appearing in the second. So, now you stay on MediaIn1, hit shift+spacebar, and find the option which says: Remove Noise (RN) and then click Add, which adds the Remove Noise1 node. On the top right corner you will find Inspector, and if you click on it, you will see all the properties you can modify.

After going only into the second viewer, and in the top bar we can find channel icons. We open it and click on red, which makes the footage black and white for a while. Then, we go back to the Inspector, increase Softness Red and Detail Red.

This removes much grain from the red channel. Then we repeat the same for green, as well as for blue channel. Once you finish, you go to the same channel button in the bar and change it to “back to color”. So, the footage will have its colors back and you will see that it has become clearer, compared to the first viewer.

You can play around with the Chroma and Luma channels in the Inspector, if that is something you have ever had experience with!

• Movavi Video Editor

In Movavi Video Editor, it is pretty straightforward – unlike DaVinci Resolve, of course! So, getting to the point: the first thing you need to do is Entering the Edit Mode. In order to achieve it, you’ll need to click the Edit button next to the file you want to adjust or select Adjustments in the Tools tab.

After this, you will be able to select the Noise removal option, and then, move the Noise level slider to reflect the amount of noise you can see in the preview. The more noise you need to remove, the higher the Noise level, and vice versa.

When you’re finished removing the noise, click Apply, but in case you need to remove noise from several files, select Apply to all files, which ensures the same noise level will be applied on all your files there.

Lastly, of course, Wondershare Filmora X offers the same option as well. The steps are ase follows: You need to go to the Effects panel and type: “Smart Denoise”. Then, right-click on the video and choose Edit Properties.

This will make sure you go inside the Smart Denoise, where you can change opacity of the clip, threshold and radius.

You should reduce Opacity until you are satisfied with the result. Then, you can use the box next to Smart Denoise in order to see the scene before and after noise and grain removal.

So, that’s it! – We learned how to remove/reduce noise and grain from the videos, using several video editors. So you might as well start making your video clips look better right away!

Noise that appears as unwanted grain or artifacts in the video image can be removed in Final Cut Pro pretty easily, you just have to follow the little steps for it. Keep in mind that Final Cut Pro is not eligible for PC, this editor is only available for Mac (but Windows users, tune in for the editors functioning on PC’s!)

So, you have your grained footage, which you already chose to denoise, and for which you will need a video reduction effect.

First, you will need to open Final Cut Pro and import abovementioned video. Select this clip in the timeline,

and position the play head in a way that the clip appears in the viewer, that is, on the big screen - for you to see well.

Click the Effects button in the top-right corner of the timeline, or, to use the shortcut, press Command & 5.

In the Effects browser, select the Basics category in the list of Video effects on the left, then select the Noise Reduction effect. For 360° clips, select the 360° category, then select the 360° Noise Reduction effect.

And you will need to do one of the following:

Drag the effect to the timeline clip you want to apply it to, or double-click the effect thumbnail to apply the effect to the selected clip.

When the effect is applied, Final Cut Pro analyzes the clip for noise, so you might need to wait for a little while the process is complete and only then see the result.

Interesting tip you can remember is that if you are using several effects to your video clip, then adding Noise Reduction as the first effect would guarantee the best results for you. So, Mac users, you can start denoising your videos in Final Cut Pro now!

• Adobe After Effects

Adobe After Effects is a digital visual effects, motion graphics, and compositing application… Pretty intense, right? This very software has endless powers, and one of them is, you guessed correctly – denoising the video! So, how are we going to do that in this monster of the industry?

Sometimes what’s annoying about this kind of programs is that you need plugins, so let’s try to find a way to achieve our desired result without using anything external.

So, first of all (as in all cases!) import your video into After Effects. Then, you will need to find Effect in the menu, and find: Noise and Grain. There, you will choose Remove Grain and click on it.

On the left side of the program layout, the Effects Control will be opened. Now, you see viewing mode, where you need to change Preview to Final Output.

So, this will be the video with Preview checked:

Which will look like this when Final Output is checked:

Somewhat different and looking better, right?..

By the way, you can watch the whole process video here !

• Adobe Premiere Pro

Adobe Premiere Pro is one of the most and sophisticated video editor. So, of course, there is a way to reduce noise in this software as well, and this can be reached using effect called Median.

First of all, you add your footage to the Timeline in Premiere Pro and then go find the Effects Panel, where Median can be found. You need to drag and drop the Median effect to your video clip.

The next step is to make sure that adding the effect to the grainiest parts of the clip, which can be done using masks. So, in the Effects Control panel, you’ll need to select the mask shape for your clip – you can either choose rectangle, circle, or pen tool. With the latter you can move the Mask around the screen and resize it to cover the area.

And if you Change the Feather setting to 100, the effect will not have a very visible edge and some smoothness will cover for it.

You will need to repeat the process with more than one mask, if you would like to have covered all of the grainy area of your shot.

Lastly, you’ll need to adjust the effect settings to reduce the noise.

The Median effect doesn’t actually take away the graininess, it just blurs it. You’ll need to experiment with the Radius settings until you are happy with the result.

• DaVinci Resolve

When it comes to DaVinci Resolve, the process is somewhat different in the free version of it. So, first of all, off course, you add your footage into the timeline. Then,you are going to find the fusion tab underneath the timeline panel.

You will see MediaIn1 and MediaOut1, you click on MediaIn1, which will ensure the scene appears in the first viewer – and MediaOut1 by default is appearing in the second. So, now you stay on MediaIn1, hit shift+spacebar, and find the option which says: Remove Noise (RN) and then click Add, which adds the Remove Noise1 node. On the top right corner you will find Inspector, and if you click on it, you will see all the properties you can modify.

After going only into the second viewer, and in the top bar we can find channel icons. We open it and click on red, which makes the footage black and white for a while. Then, we go back to the Inspector, increase Softness Red and Detail Red.

This removes much grain from the red channel. Then we repeat the same for green, as well as for blue channel. Once you finish, you go to the same channel button in the bar and change it to “back to color”. So, the footage will have its colors back and you will see that it has become clearer, compared to the first viewer.

You can play around with the Chroma and Luma channels in the Inspector, if that is something you have ever had experience with!

• Movavi Video Editor

In Movavi Video Editor, it is pretty straightforward – unlike DaVinci Resolve, of course! So, getting to the point: the first thing you need to do is Entering the Edit Mode. In order to achieve it, you’ll need to click the Edit button next to the file you want to adjust or select Adjustments in the Tools tab.

After this, you will be able to select the Noise removal option, and then, move the Noise level slider to reflect the amount of noise you can see in the preview. The more noise you need to remove, the higher the Noise level, and vice versa.

When you’re finished removing the noise, click Apply, but in case you need to remove noise from several files, select Apply to all files, which ensures the same noise level will be applied on all your files there.

Lastly, of course, Wondershare Filmora X offers the same option as well. The steps are ase follows: You need to go to the Effects panel and type: “Smart Denoise”. Then, right-click on the video and choose Edit Properties.

This will make sure you go inside the Smart Denoise, where you can change opacity of the clip, threshold and radius.

You should reduce Opacity until you are satisfied with the result. Then, you can use the box next to Smart Denoise in order to see the scene before and after noise and grain removal.

So, that’s it! – We learned how to remove/reduce noise and grain from the videos, using several video editors. So you might as well start making your video clips look better right away!

Noise that appears as unwanted grain or artifacts in the video image can be removed in Final Cut Pro pretty easily, you just have to follow the little steps for it. Keep in mind that Final Cut Pro is not eligible for PC, this editor is only available for Mac (but Windows users, tune in for the editors functioning on PC’s!)

So, you have your grained footage, which you already chose to denoise, and for which you will need a video reduction effect.

First, you will need to open Final Cut Pro and import abovementioned video. Select this clip in the timeline,

and position the play head in a way that the clip appears in the viewer, that is, on the big screen - for you to see well.

Click the Effects button in the top-right corner of the timeline, or, to use the shortcut, press Command & 5.

In the Effects browser, select the Basics category in the list of Video effects on the left, then select the Noise Reduction effect. For 360° clips, select the 360° category, then select the 360° Noise Reduction effect.

And you will need to do one of the following:

Drag the effect to the timeline clip you want to apply it to, or double-click the effect thumbnail to apply the effect to the selected clip.

When the effect is applied, Final Cut Pro analyzes the clip for noise, so you might need to wait for a little while the process is complete and only then see the result.

Interesting tip you can remember is that if you are using several effects to your video clip, then adding Noise Reduction as the first effect would guarantee the best results for you. So, Mac users, you can start denoising your videos in Final Cut Pro now!

• Adobe After Effects

Adobe After Effects is a digital visual effects, motion graphics, and compositing application… Pretty intense, right? This very software has endless powers, and one of them is, you guessed correctly – denoising the video! So, how are we going to do that in this monster of the industry?

Sometimes what’s annoying about this kind of programs is that you need plugins, so let’s try to find a way to achieve our desired result without using anything external.

So, first of all (as in all cases!) import your video into After Effects. Then, you will need to find Effect in the menu, and find: Noise and Grain. There, you will choose Remove Grain and click on it.

On the left side of the program layout, the Effects Control will be opened. Now, you see viewing mode, where you need to change Preview to Final Output.

So, this will be the video with Preview checked:

Which will look like this when Final Output is checked:

Somewhat different and looking better, right?..

By the way, you can watch the whole process video here !

• Adobe Premiere Pro

Adobe Premiere Pro is one of the most and sophisticated video editor. So, of course, there is a way to reduce noise in this software as well, and this can be reached using effect called Median.

First of all, you add your footage to the Timeline in Premiere Pro and then go find the Effects Panel, where Median can be found. You need to drag and drop the Median effect to your video clip.

The next step is to make sure that adding the effect to the grainiest parts of the clip, which can be done using masks. So, in the Effects Control panel, you’ll need to select the mask shape for your clip – you can either choose rectangle, circle, or pen tool. With the latter you can move the Mask around the screen and resize it to cover the area.

And if you Change the Feather setting to 100, the effect will not have a very visible edge and some smoothness will cover for it.

You will need to repeat the process with more than one mask, if you would like to have covered all of the grainy area of your shot.

Lastly, you’ll need to adjust the effect settings to reduce the noise.

The Median effect doesn’t actually take away the graininess, it just blurs it. You’ll need to experiment with the Radius settings until you are happy with the result.

• DaVinci Resolve

When it comes to DaVinci Resolve, the process is somewhat different in the free version of it. So, first of all, off course, you add your footage into the timeline. Then,you are going to find the fusion tab underneath the timeline panel.

You will see MediaIn1 and MediaOut1, you click on MediaIn1, which will ensure the scene appears in the first viewer – and MediaOut1 by default is appearing in the second. So, now you stay on MediaIn1, hit shift+spacebar, and find the option which says: Remove Noise (RN) and then click Add, which adds the Remove Noise1 node. On the top right corner you will find Inspector, and if you click on it, you will see all the properties you can modify.

After going only into the second viewer, and in the top bar we can find channel icons. We open it and click on red, which makes the footage black and white for a while. Then, we go back to the Inspector, increase Softness Red and Detail Red.

This removes much grain from the red channel. Then we repeat the same for green, as well as for blue channel. Once you finish, you go to the same channel button in the bar and change it to “back to color”. So, the footage will have its colors back and you will see that it has become clearer, compared to the first viewer.

You can play around with the Chroma and Luma channels in the Inspector, if that is something you have ever had experience with!

• Movavi Video Editor

In Movavi Video Editor, it is pretty straightforward – unlike DaVinci Resolve, of course! So, getting to the point: the first thing you need to do is Entering the Edit Mode. In order to achieve it, you’ll need to click the Edit button next to the file you want to adjust or select Adjustments in the Tools tab.

After this, you will be able to select the Noise removal option, and then, move the Noise level slider to reflect the amount of noise you can see in the preview. The more noise you need to remove, the higher the Noise level, and vice versa.

When you’re finished removing the noise, click Apply, but in case you need to remove noise from several files, select Apply to all files, which ensures the same noise level will be applied on all your files there.

Lastly, of course, Wondershare Filmora X offers the same option as well. The steps are ase follows: You need to go to the Effects panel and type: “Smart Denoise”. Then, right-click on the video and choose Edit Properties.

This will make sure you go inside the Smart Denoise, where you can change opacity of the clip, threshold and radius.

You should reduce Opacity until you are satisfied with the result. Then, you can use the box next to Smart Denoise in order to see the scene before and after noise and grain removal.

So, that’s it! – We learned how to remove/reduce noise and grain from the videos, using several video editors. So you might as well start making your video clips look better right away!

Noise that appears as unwanted grain or artifacts in the video image can be removed in Final Cut Pro pretty easily, you just have to follow the little steps for it. Keep in mind that Final Cut Pro is not eligible for PC, this editor is only available for Mac (but Windows users, tune in for the editors functioning on PC’s!)

So, you have your grained footage, which you already chose to denoise, and for which you will need a video reduction effect.

First, you will need to open Final Cut Pro and import abovementioned video. Select this clip in the timeline,

and position the play head in a way that the clip appears in the viewer, that is, on the big screen - for you to see well.

Click the Effects button in the top-right corner of the timeline, or, to use the shortcut, press Command & 5.

In the Effects browser, select the Basics category in the list of Video effects on the left, then select the Noise Reduction effect. For 360° clips, select the 360° category, then select the 360° Noise Reduction effect.

And you will need to do one of the following:

Drag the effect to the timeline clip you want to apply it to, or double-click the effect thumbnail to apply the effect to the selected clip.

When the effect is applied, Final Cut Pro analyzes the clip for noise, so you might need to wait for a little while the process is complete and only then see the result.

Interesting tip you can remember is that if you are using several effects to your video clip, then adding Noise Reduction as the first effect would guarantee the best results for you. So, Mac users, you can start denoising your videos in Final Cut Pro now!

• Adobe After Effects

Adobe After Effects is a digital visual effects, motion graphics, and compositing application… Pretty intense, right? This very software has endless powers, and one of them is, you guessed correctly – denoising the video! So, how are we going to do that in this monster of the industry?

Sometimes what’s annoying about this kind of programs is that you need plugins, so let’s try to find a way to achieve our desired result without using anything external.

So, first of all (as in all cases!) import your video into After Effects. Then, you will need to find Effect in the menu, and find: Noise and Grain. There, you will choose Remove Grain and click on it.

On the left side of the program layout, the Effects Control will be opened. Now, you see viewing mode, where you need to change Preview to Final Output.

So, this will be the video with Preview checked:

Which will look like this when Final Output is checked:

Somewhat different and looking better, right?..

By the way, you can watch the whole process video here !

• Adobe Premiere Pro

Adobe Premiere Pro is one of the most and sophisticated video editor. So, of course, there is a way to reduce noise in this software as well, and this can be reached using effect called Median.

First of all, you add your footage to the Timeline in Premiere Pro and then go find the Effects Panel, where Median can be found. You need to drag and drop the Median effect to your video clip.

The next step is to make sure that adding the effect to the grainiest parts of the clip, which can be done using masks. So, in the Effects Control panel, you’ll need to select the mask shape for your clip – you can either choose rectangle, circle, or pen tool. With the latter you can move the Mask around the screen and resize it to cover the area.

And if you Change the Feather setting to 100, the effect will not have a very visible edge and some smoothness will cover for it.

You will need to repeat the process with more than one mask, if you would like to have covered all of the grainy area of your shot.

Lastly, you’ll need to adjust the effect settings to reduce the noise.

The Median effect doesn’t actually take away the graininess, it just blurs it. You’ll need to experiment with the Radius settings until you are happy with the result.

• DaVinci Resolve

When it comes to DaVinci Resolve, the process is somewhat different in the free version of it. So, first of all, off course, you add your footage into the timeline. Then,you are going to find the fusion tab underneath the timeline panel.

You will see MediaIn1 and MediaOut1, you click on MediaIn1, which will ensure the scene appears in the first viewer – and MediaOut1 by default is appearing in the second. So, now you stay on MediaIn1, hit shift+spacebar, and find the option which says: Remove Noise (RN) and then click Add, which adds the Remove Noise1 node. On the top right corner you will find Inspector, and if you click on it, you will see all the properties you can modify.

After going only into the second viewer, and in the top bar we can find channel icons. We open it and click on red, which makes the footage black and white for a while. Then, we go back to the Inspector, increase Softness Red and Detail Red.

This removes much grain from the red channel. Then we repeat the same for green, as well as for blue channel. Once you finish, you go to the same channel button in the bar and change it to “back to color”. So, the footage will have its colors back and you will see that it has become clearer, compared to the first viewer.

You can play around with the Chroma and Luma channels in the Inspector, if that is something you have ever had experience with!

• Movavi Video Editor

In Movavi Video Editor, it is pretty straightforward – unlike DaVinci Resolve, of course! So, getting to the point: the first thing you need to do is Entering the Edit Mode. In order to achieve it, you’ll need to click the Edit button next to the file you want to adjust or select Adjustments in the Tools tab.

After this, you will be able to select the Noise removal option, and then, move the Noise level slider to reflect the amount of noise you can see in the preview. The more noise you need to remove, the higher the Noise level, and vice versa.

When you’re finished removing the noise, click Apply, but in case you need to remove noise from several files, select Apply to all files, which ensures the same noise level will be applied on all your files there.

Lastly, of course, Wondershare Filmora X offers the same option as well. The steps are ase follows: You need to go to the Effects panel and type: “Smart Denoise”. Then, right-click on the video and choose Edit Properties.

This will make sure you go inside the Smart Denoise, where you can change opacity of the clip, threshold and radius.

You should reduce Opacity until you are satisfied with the result. Then, you can use the box next to Smart Denoise in order to see the scene before and after noise and grain removal.

So, that’s it! – We learned how to remove/reduce noise and grain from the videos, using several video editors. So you might as well start making your video clips look better right away!

Guide To Selecting and Using the Best Braw Luts

Good content plays a huge role in this digital age, and making one has many different ingredients. LUTs are one of those secret ingredients that can take your content to new heights. They are essentially pre-defined color grading presets you can apply to your media files. Furthermore, these LUTs act as a guiding map to maintain your video’s color and tone.

In addition, there are many more in the world of LUTs, such as BRAW LUTs. BRAW (Blackmagic RAW) is a popular raw video format with excellent media quality. Such LUTs are specifically used to optimize and improve the colors of any BRAW footage. Moreover, their utility goes beyond just one software. There are many platforms to use these LUTs, such as Premiere Pro and Wondershare Filmora .

Add LUTs on Video For Win 7 or later(64-bit)

Add LUTs on Video For macOS 10.14 or later

Try It Free >>

Part 1: How to Apply BRAW LUTs on Premiere Pro?

If you want to apply BRAW LUTs Premier Pro to your videos, follow these steps. These simple steps will guide you on how to apply your LUTs using Premier Pro.

Step 1: Import and Set up Your Video

Open Premiere Pro and locate the “File” menu. Choose the “Import” option from the menu and select your files to import. Find your imported video in the “Project” panel and drag it into the timeline. In this way, your files will be imported.

Step 2: Adjust Blackmagic RAW Settings

Lead into the “Source” section and look for the “Effect Controls” tab. Inside the Effects Control tab, locate the Blackmagic RAW tab. Underneath the Blackmagic RAW tab, change the “Decode Using” settings to “Clip.” Furthermore, adjust the “Gamma” settings to “Blackmagic Design Extended Video.”

Step 3: Apply the LUT to Your Video Clips

To apply the LUT to all your video clips, right-click on the “Blackmagic RAW” tab. Click on the “Copy” option from the menu that appears. Now, select all your clips in the “Project” panel by holding the SHIFT key while clicking on each clip. Right-click on the selected clips and choose the “Paste” option to apply the LUT. Your Blackmagic LUT will now be applied to all the selected video files. After completing your edits save your file.

Empower your videos with a new mood using different LUTs. Filmora now offers 100+ top-quality 3D LUTs cover a broad range of scenarios. Transform your videos with Filmora’s powerful 3D LUTs.

Apply LUT on Videos Apply LUT on Videos Learn More

Try It Free >>

Part 2: Selecting the Best BRAW LUTs: A Look into The Details

Do you have so many BRAW to Rec709 LUTs options to choose from? You don’t need to waste your time in selecting a good one. Here is a list of some of the best BRAW LUTs that you can download.

1. Blackmagic BaseLUTs for BRAW – Gen 5 & Gen 4 Film

The Blackmagic BaseLUTs for BRAW – Gen 5 & Gen 4 Film powerful pack consists of two different Blackmagic LUTs. These LUTs are designed to enhance your video in remarkable ways. Furthermore, you can expect exceptional retention in the highlights. Additionally, these LUTs offer well-balanced saturation levels for your videos.

2. Cinematic BRAW BMPCC LUTs Gen5

Cinematic BRAW BMPCC LUTs Gen5 is a powerful set of seven different cinematic LUTs. With this pack of BRAW LUTs, you can take your video to the next level. It makes your videos feel larger than life with this LUT pack. Additionally, this pack brings cinematic flair and vibrant colors to create an epic visual experience. Besides this, each LUT comes with its unique color grading.

3. Blackmagic Braw Vivid LUTs

Blackmagic BRAW Vivid LUTs is a great pack to make your videos and images look professional. These LUTs work by exposing your images, revealing hidden details and textures. Furthermore, it increases saturation to make your videos pop. Besides this, it also highlights the red and green channels to make your media look more natural and prominent.

4. S20-F87 BRAW FILM

Experience the magic of the S20-F87 BRAW FILM LUT. Using this LUT pack, you can unlock a world of visual possibilities. Moreover, you can improve your videos’ overall look and feel with their soft, warm green tones. This LUT is designed to create a cinematic atmosphere and a professional look. Using this pack, you can impress your viewers with movie-like color grading.

5. Cine Vintage Nature LUT 22

Cine Vintage Nature LUT 22 is a remarkable LUT pack that transports your video back in time. It creates an old vintage look with a cinematic touch. With this pack, you can transform your modern videos into classic Hollywood movies. It beautifully enhances your videos’ colors, tones, and textures to add depth and emotion. Similarly, using this pack, you can recreate old-school cinematic videos.

6. JM- 15+ PREMIUM BMPCC BRAW LUTS

JM-15+ Premium BMPCC BRAW LUTs are the key to unlocking a cinematic feel in your videos. These powerful LUTs highlight colors, creating a cinematic experience. It is a pack of 15 premium cinematic-style LUTs. Additionally, you can darken colors, giving your videos a rich and dramatic look. Furthermore, these LUTs add depth and dimension to your videos by enhancing shadows and textures.

Part 3: An Alternative to Apply 3D LUTs to Videos: Wondershare Filmora

Wondershare Filmora is what you’re looking for if you want a professional video editing tool. It is an all-in-one video editing tool. From basic editing options to high-end professional video editing features, Filmora has it. You can make basic color corrections and adjustments with this tool. However, Filmora also offers more creative editing options for your videos.

Add LUTs on Video For Win 7 or later(64-bit)

Add LUTs on Video For macOS 10.14 or later

Try It Free >>

Moreover, this tool has recently been updated and has many more options. With this LUT tool, you can apply different LUTs to enhance the mood of your videos. Apart from this, it has a library of 200+ LUTs to download. This extensive library allows you to choose different color grading presets according to your mood. Furthermore, its library also has other free media assets, ranging from over 10 billion.

Conclusion

LUTs are incredible tools to transform your ordinary content into something extraordinary. You can unleash your creativity with professional-looking content. Many LUTs, particularly BRAW LUTs, can be applied to your Blackmagic RAW footage. Take your videos to new heights with these tools by applying them using your favorite editing tools.

Add LUTs on Video For macOS 10.14 or later

Try It Free >>

Part 1: How to Apply BRAW LUTs on Premiere Pro?

If you want to apply BRAW LUTs Premier Pro to your videos, follow these steps. These simple steps will guide you on how to apply your LUTs using Premier Pro.

Step 1: Import and Set up Your Video

Open Premiere Pro and locate the “File” menu. Choose the “Import” option from the menu and select your files to import. Find your imported video in the “Project” panel and drag it into the timeline. In this way, your files will be imported.

Step 2: Adjust Blackmagic RAW Settings

Lead into the “Source” section and look for the “Effect Controls” tab. Inside the Effects Control tab, locate the Blackmagic RAW tab. Underneath the Blackmagic RAW tab, change the “Decode Using” settings to “Clip.” Furthermore, adjust the “Gamma” settings to “Blackmagic Design Extended Video.”

Step 3: Apply the LUT to Your Video Clips

To apply the LUT to all your video clips, right-click on the “Blackmagic RAW” tab. Click on the “Copy” option from the menu that appears. Now, select all your clips in the “Project” panel by holding the SHIFT key while clicking on each clip. Right-click on the selected clips and choose the “Paste” option to apply the LUT. Your Blackmagic LUT will now be applied to all the selected video files. After completing your edits save your file.

Empower your videos with a new mood using different LUTs. Filmora now offers 100+ top-quality 3D LUTs cover a broad range of scenarios. Transform your videos with Filmora’s powerful 3D LUTs.

Apply LUT on Videos Apply LUT on Videos Learn More

Try It Free >>

Part 2: Selecting the Best BRAW LUTs: A Look into The Details

Do you have so many BRAW to Rec709 LUTs options to choose from? You don’t need to waste your time in selecting a good one. Here is a list of some of the best BRAW LUTs that you can download.

1. Blackmagic BaseLUTs for BRAW – Gen 5 & Gen 4 Film

The Blackmagic BaseLUTs for BRAW – Gen 5 & Gen 4 Film powerful pack consists of two different Blackmagic LUTs. These LUTs are designed to enhance your video in remarkable ways. Furthermore, you can expect exceptional retention in the highlights. Additionally, these LUTs offer well-balanced saturation levels for your videos.

2. Cinematic BRAW BMPCC LUTs Gen5

Cinematic BRAW BMPCC LUTs Gen5 is a powerful set of seven different cinematic LUTs. With this pack of BRAW LUTs, you can take your video to the next level. It makes your videos feel larger than life with this LUT pack. Additionally, this pack brings cinematic flair and vibrant colors to create an epic visual experience. Besides this, each LUT comes with its unique color grading.

3. Blackmagic Braw Vivid LUTs

Blackmagic BRAW Vivid LUTs is a great pack to make your videos and images look professional. These LUTs work by exposing your images, revealing hidden details and textures. Furthermore, it increases saturation to make your videos pop. Besides this, it also highlights the red and green channels to make your media look more natural and prominent.

4. S20-F87 BRAW FILM

Experience the magic of the S20-F87 BRAW FILM LUT. Using this LUT pack, you can unlock a world of visual possibilities. Moreover, you can improve your videos’ overall look and feel with their soft, warm green tones. This LUT is designed to create a cinematic atmosphere and a professional look. Using this pack, you can impress your viewers with movie-like color grading.

5. Cine Vintage Nature LUT 22

Cine Vintage Nature LUT 22 is a remarkable LUT pack that transports your video back in time. It creates an old vintage look with a cinematic touch. With this pack, you can transform your modern videos into classic Hollywood movies. It beautifully enhances your videos’ colors, tones, and textures to add depth and emotion. Similarly, using this pack, you can recreate old-school cinematic videos.

6. JM- 15+ PREMIUM BMPCC BRAW LUTS

JM-15+ Premium BMPCC BRAW LUTs are the key to unlocking a cinematic feel in your videos. These powerful LUTs highlight colors, creating a cinematic experience. It is a pack of 15 premium cinematic-style LUTs. Additionally, you can darken colors, giving your videos a rich and dramatic look. Furthermore, these LUTs add depth and dimension to your videos by enhancing shadows and textures.

Part 3: An Alternative to Apply 3D LUTs to Videos: Wondershare Filmora

Wondershare Filmora is what you’re looking for if you want a professional video editing tool. It is an all-in-one video editing tool. From basic editing options to high-end professional video editing features, Filmora has it. You can make basic color corrections and adjustments with this tool. However, Filmora also offers more creative editing options for your videos.

Add LUTs on Video For Win 7 or later(64-bit)

Add LUTs on Video For macOS 10.14 or later

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Moreover, this tool has recently been updated and has many more options. With this LUT tool, you can apply different LUTs to enhance the mood of your videos. Apart from this, it has a library of 200+ LUTs to download. This extensive library allows you to choose different color grading presets according to your mood. Furthermore, its library also has other free media assets, ranging from over 10 billion.

Conclusion

LUTs are incredible tools to transform your ordinary content into something extraordinary. You can unleash your creativity with professional-looking content. Many LUTs, particularly BRAW LUTs, can be applied to your Blackmagic RAW footage. Take your videos to new heights with these tools by applying them using your favorite editing tools.

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